Opinion The Gray Market: Why the Most Exhausting Aspect of Miami Art Week Is the Most Important to the Market’s Future Our columnist returns from the froth and frenzy of Miami Art Week thinking about spectacle versus sustainability. By Tim Schneider, 2 days ago
Market How Are Emerging Art Dealers Dealing With the Gallery Crisis? We Asked a Dozen of Them at NADA Sales were fast and furious on opening day of NADA Miami Beach. So why are dealers still so nervous? By Julia Halperin & Tim Schneider, Dec 7, 2018
On View At Miami Art Week, Thousands of Works Created by Human Artists—and a Few by Artificial Intelligence, Too AICAN presents a booth full of work created by AI at Scope. But viewers still have a lot to learn. By Tim Schneider, Dec 7, 2018
Art World A Miami Beach Conference United Art and Tech A-Listers to Make the Case for Blockchain—And Ended as an Allegory of Market Mayhem The Adam Lindemann-organized "The Art of Blockchains" showed the promise but also the pitfalls of art's current craze for crypto. By Tim Schneider, Dec 5, 2018
Opinion The Gray Market: Why the Hauser & Wirth Institute’s ‘Wholly Independent’ Research Can Still Be a Major Market Play Our columnist considers the potential economic impact of the international mega-gallery's new nonprofit research organization. By Tim Schneider, Dec 3, 2018
Auctions Is the Contemporary Art Market Due for a Contraction? A Look Beyond the Mega-Sales Presents a Dimmer Picture Contemporary art was the only major category to decline in total sales volume at auction last week. Here's what that means. By Tim Schneider, Nov 30, 2018
Galleries Influential Photography Dealer Steven Kasher Will Shutter His Gallery to Join David Zwirner Kasher will become a director tasked with 'cross-pollinating' his expertise and photo-based clientele with Zwirner's enterprise. By Tim Schneider, Nov 20, 2018
Opinion The Gray Market: Why a New Study About Finding Art-World Success Doesn’t Mean What You Think It Means (and Other Insights) Our columnist examines how art-market research published in the journal 'Science' may not be as specific to the art world as we think. By Tim Schneider, Nov 19, 2018
Auctions Forget Masterpiece Theater—Sotheby’s Delivers a Sterling $362.6 Million Contemporary Art Sale Built From the Middle Market It was an impressive night that saw record after record drop for important artists with growing markets. By Tim Schneider, Nov 14, 2018
Art World ‘ARTnews’ and ‘Art in America’ Are Bought by Penske Media, Owner of ‘Rolling Stone’ and ‘Variety’ Peter Brant has now sold all of his magazines but "Interview" (which he sold and rebought). By Tim Schneider, Nov 13, 2018
Auctions Sotheby’s Sets a New Record for Magritte in Its $315 Million Impressionist and Modern Sale, But Many Works Go Unsold Records for Magritte and Kokoschka buoyed the sale early on, but a string of late misses left the auction house hanging. By Tim Schneider, Nov 12, 2018
Analysis A Data-Driven Look at This Week’s Day Sales Offers More Proof That the Auction Market Is Only Growing at the Top Evening-sale estimates have exploded, while their day-sale counterparts have stagnated. By Tim Schneider, Nov 12, 2018
Art World The Gray Market: Why Christie’s Is Selling an $80 Million Hockney Painting With No Reserve or Guarantee (and Other Insights) The consignor of what could become the most expensive work by a living artist is taking a considerable risk. By Tim Schneider, Nov 12, 2018
Auctions Christie’s Misses the Mark With a $279.3 Million Impressionist and Modern Sale, Leaving Starry Casualties in Its Wake The sale was a disappointing opener for New York's fall auction season, with several highly touted lots failing to find buyers. By Tim Schneider, Nov 12, 2018
Opinion The Gray Market: Why Thomas Campbell’s New Gig Suggests the True Solution to the Museum Diversity Problem Will Be Extreme (and Other Insights) Our columnist on Thomas Campbell's new Bay Area directorship, Brexit's impact on blockbuster shows, and changes in the Andy Warhol market. By Tim Schneider, Nov 5, 2018
