Opinion The Gray Market: Why the European Art World Will Recover Faster Than the American One (and Other Insights) Our columnist digs into the US and Europe's economic rescue plans to show why one stabilizes the arts much better than the other. By Tim Schneider, 20 hours ago
Analysis How to Speak Robot: As the Art World Flirts With A.I., Here Is a Glossary of Terminology You Need to Know Allow us to translate for you. By Tim Schneider, Mar 31, 2020
Analysis A.I. Has the Potential to Change the Art Business—Forever. Here’s How It Could Revolutionize the Way We Buy, Sell, and See Art The art business could look very different in a few years. By Tim Schneider, Mar 31, 2020
Analysis A.I. Art Valuation Is the Market’s Holy Grail. Here Are 7 Reasons Why It’s Harder Than It Sounds From data bias to information opacity, there are a lot of reasons why it's going to take a while for A.I. to predict the value of your art. By Tim Schneider, Mar 31, 2020
Opinion The Gray Market: A Guide to How the $2 Trillion Rescue Bill Can Help America’s Art Sector—and Where It Falls Short (and Other Insights) Our columnist unpacks what the largest stimulus measure in American history means for artists, the art industry, and the American Dream. By Tim Schneider, Mar 30, 2020
Opinion The Gray Market: Why History’s Biggest Work-From-Home Experiment Could Eventually Benefit the Art Market (and Other Insights) Our columnist speculates about how mass telecommuting could be here to stay, and how it could someday be a boon to artists and dealers. By Tim Schneider, Mar 23, 2020
Market What Actually Works When It Comes to Selling Art Online? Successful Early Adopters Share 5 of Their Business Secrets Among the major lessons is that transparency benefits everyone. By Tim Schneider, Mar 19, 2020
Opinion The Gray Market: Why a Slew of Postponed Art-Market Events Will Trigger a Reckoning in an Overcrowded Field (and Other Insights) Our columnist asks whether there's really enough room to cram most of the spring art season into the autumn—and who's most vulnerable if not. By Tim Schneider, Mar 16, 2020
People What I Buy & Why: Art Collector and Dentist Kenneth Montague on His Patients’ Reactions to Seeing a Kehinde Wiley in the Waiting Room Top collectors share their strategies (and obsessions). By Tim Schneider, Mar 16, 2020
Art World Art Basel Prepares to Launch Its First Online Viewing Rooms, Featuring 231 Dealers Selling Over $250 Million Worth of Art VIPs will have access to Art Basel's digital storefronts starting March 18, with the general public to follow on March 20. By Tim Schneider, Mar 12, 2020
Opinion The Gray Market: Why the Coronavirus Proves the Art and Fashion Economies Are Different Animals (and Other Insights) Our columnist tries to reconcile how two markets that are often compared have performed quite differently so far this year. By Tim Schneider, Mar 9, 2020
Market Art Basel’s 2020 Market Report Offsets Slumping Sales Figures With a Hopeful Fact: Millennials Are Buying More Art Than Ever The 2020 edition of the annual report estimates that $64.1 billion was spent on art last year, a decline of five percent from the year prior. By Tim Schneider, Mar 5, 2020
Opinion The Gray Market: Why the Coronavirus May Finally Force the Art Market to Evolve Beyond Its Old-School Ways (and Other Insights) Our columnist weathers the growing public-health panic in search of a path forward for an increasingly anxious art market. By Tim Schneider, Mar 2, 2020
Opinion The Gray Market: Why History Equipped the Mega-Dealers to Win the $450 Million Marron Estate (and Other Insights) Our columnist charts the precedents that positioned Pace, Gagosian, and Acquavella to beat the auction houses for Donald Marron's collection. By Tim Schneider, Feb 24, 2020
Art Fairs ‘I’m the Kind of Guy Who Wants to Buy Everything’: Hollywood Executive David Hoberman Takes Us on a Joy Ride Through the Felix Art Fair in LA Touring the second annual edition of the event with Hoberman reveals how vital fairs are to the buyer-seller relationship. By Tim Schneider, Feb 14, 2020
