Analysis Is Warhol Still Art’s ‘One-Man Dow Jones’? Dealer Dominique Lévy Breaks Down Five Myths About the Artist’s Market Ahead of Lévy Gorvy's new show "Warhol Women," the dealer reveals why the artist's trade has never been stronger. By Tim Schneider, 2 days ago
Opinion The Gray Market: Why Gagosian’s New Art Advisory Brings It Closer to Becoming the Amazon of the Art World (and Other Insights) Our columnist examines the Gagosian brand's expansion into independent art advising—and shows how it ties into the bigger cultural picture. By Tim Schneider, Apr 22, 2019
Auctions Is the Photography Market Sleepy—Or Just Getting Started? Here Are 3 Trends Investment-Minded Collectors Should Know We extract three trends from this year's photography auctions to show you where the market has been—and where its opportunities are now. By Tim Schneider, Apr 19, 2019
Art Fairs In Dallas, the Elusive Middle Market Collector Is Alive and Well. But Are Dealers Willing to Woo Them? While the Dallas Art Fair's latest edition reached further toward the high end than ever, the depth of the market was in the middle. By Tim Schneider, Apr 16, 2019
Auctions It Wasn’t Just KAWS. Here Are 3 Trends That Show the Hong Kong Auction Market Is Booming for International Art We examine three trend lines from the recent slate of Hong Kong sales to determine where the market is headed. By Julia Halperin & Tim Schneider, Apr 15, 2019
Opinion The Gray Market: Why the Guggenheim’s Panza Collection Initiative Does—and Doesn’t—Matter to the Market for Minimalist Art Our columnist uses the Guggenheim's research into the Panza Collection to access the common and not-so-common sense of the art market. By Tim Schneider, Apr 15, 2019
Market Athena Art Finance Was Founded With $280 Million in Funding. It Was Just Sold for Only $170 Million The art-finance market draws on a small pool of investors, which may be a sign of trouble ahead. By Taylor Dafoe & Tim Schneider, Apr 10, 2019
Opinion The Gray Market: How the Met and the Shed Are Sharing Their Wealth in Two Very Different Ways (and Other Insights) Our columnist considers what it really means to "redistribute privilege" as a wealthy cultural center. By Tim Schneider, Apr 8, 2019
Analysis Want to Be a Crash-Proof Collector? Here Are 3 Things to Do to Stay Ahead of the Art Market During a Recession Don't be afraid to sell a masterpiece, look at the middle market, and more advice for cashing in on art when the stock market is falling. By Tim Schneider, Apr 8, 2019
Art World ‘It Allows Them All to Freak Out’: Artist Sanford Biggers on Collaborating With Visionary Musicians to Form an ‘Afrofuturist Boy Band’ Acclaimed artist Sanford Biggers blends video, music, and performance to defy expectations in the collaborative project Moon Medicin. By Tim Schneider, Apr 5, 2019
Galleries Want Your Stingel With a Side of Pasta? Gagosian Expands in Beverly Hills by Going Halfsies With a New Italian Restaurant The mega-gallery will share a 9,500-square-foot space with the star pasta chef starting in 2020. By Tim Schneider, Apr 4, 2019
Opinion The Gray Market: Why the Sackler Philanthropy ‘Halt’ Could Mean Even Bigger Changes for Museum Funding (and Other Insights) How the “Overton Window” theory in politics applies to recent trends in arts philanthropy. By Tim Schneider, Apr 1, 2019
On View A New Bronx Exhibition Celebrates Uselessness With a Suitcase That Poops and Other Unhelpful Art These machines and machine-made art provide a philosophical counter to our market-driven economy. By Tim Schneider, Mar 28, 2019
Opinion The Gray Market: Why Gagosian’s Record-Breaking Online Sale of an Albert Oehlen Painting Sets a ‘Very Juicy Precedent’ (and Other Insights) Our columnist analyzes Gagosian's latest version of its online viewing room, and the sale that just broke the artist's $4.7 million auction record. By Tim Schneider, Mar 25, 2019
Market ‘Contemporary Artist’ Means Everyone From Andy Warhol to Avery Singer. Here’s a New Category for the Art of Our Time The artnet Intelligence Report brings a bit of market clarity for artists born after 1974 by giving them their own category. By Tim Schneider & Julia Halperin, Mar 21, 2019
