Goddesses, saints, demons: “Revered and Feared. Feminine Power in Art and Belief” is a collaborative exhibition created by Madrid’s La Caixa Foundation and London’s British Museum, bringing together 166 historical objects to highlight spiritual perceptions of femininity around the globe.
Objects on display date from prehistory through to the 21st century, and follow five themes: “Creation and Nature,” “Passion and Desire,” “Magic and Malice,” “Justice and Defence,” and “Compassion and Salvation.” Contemporary artists involved in the show include Marina Abramović and Zanele Muholi. The objects—which span over 5,000 years—call into question our beliefs about gender expression, examine women’s multifaceted roles in society and folklore, and celebrate ancient customs and traditions.
Its curators have called it “the first exhibition of its kind.”
The show has been co-curated by Belinda Crerar, of the British Museum, and Risa Martínez, an independent curator and advisor for the selection of the contemporary artworks included in the show.
In an interview for the Fundación La Caixa, Crerar explained that the exhibition explores “all the different ways that female identity has been framed throughout history and around the world” and that it is “particularly relevant today in light of recent gender equality movements, to be reflecting on our own cultural pre-conceptions when it comes to gender identity and female empowerment.”
Highlights in the show include a bust of the Roman goddess Minerva, a Buddhist figure of Bodhisattva Guanyin, a Taraka dance mask from West Bengal, and a statuette of the river deity Oshun from the Yoruba culture of Nigeria.
“Revered and Feared. Feminine Power in Art and Belief” is on view at Caixa Forum, Madrid, through January 14, 2024. Check out more works from the show below.
More Trending Stories:
Art Dealers Christina and Emmanuel Di Donna on Their Special Holiday Rituals
Stefanie Heinze Paints Richly Ambiguous Worlds. Collectors Are Obsessed
Inspector Schachter Uncovers Allegations Regarding the Latest Art World Scandal—And It’s a Doozy
Archaeologists Call Foul on the Purported Discovery of a 27,000-Year-Old Pyramid
The Sprawling Legal Dispute Between Yves Bouvier and Dmitry Rybolovlev Is Finally Over