Analysis ‘Bergamo Is a Besieged Territory’: Dealers, Artists, and Curators on How Northern Italy’s Art Scene Is Surviving the Second Month of Lockdown If Milan offers a window into what other cities may experience in a few weeks, the takeaway is that the art world will always find a way to connect. By Kate Brown, 3 hours ago
Analysis LACMA’s $750 Million Renovation Was Once Hailed as a Powerful Vision of What a 21st-Century Museum Could Be. Now, It’s a Lightning Rod How the debate over LACMA's expansion became one about what a museum should be, who decides—and who should pay for it. By Catherine Wagley, Apr 1, 2020
Analysis How to Speak Robot: As the Art World Flirts With A.I., Here Is a Glossary of Terminology You Need to Know Allow us to translate for you. By Tim Schneider, Mar 31, 2020
Analysis A.I. Has the Potential to Change the Art Business—Forever. Here’s How It Could Revolutionize the Way We Buy, Sell, and See Art The art business could look very different in a few years. By Tim Schneider, Mar 31, 2020
Analysis A.I. Art Valuation Is the Market’s Holy Grail. Here Are 7 Reasons Why It’s Harder Than It Sounds From data bias to information opacity, there are a lot of reasons why it's going to take a while for A.I. to predict the value of your art. By Tim Schneider, Mar 31, 2020
Analysis How Do You Build a Blue-Chip Market in 10 Years? The Trajectory of ‘Bad Painter’ Albert Oehlen Provides a Blueprint Could 2020 be the year that Albert Oehlen—a polarizing artist both beloved and dismissed—sees his work top $10 million at auction? By Nate Freeman, Jan 8, 2020
Analysis In the Wake of Devastating Floods, It’s High Time for the Art World to Rethink Its Cherished Relationship to Venice The curator of the next Venice Biennale should be named any week now. That person is going to have a lot to think about. By Kate Brown, Dec 18, 2019
Analysis The Market for Disturbing Nazi Artifacts Is Growing. Who Is Buying Them—and Why? The market has become so profitable that scammers are creating forgeries of the material. By Daniel Grant, Nov 27, 2019
Analysis Museum Workers Across the Country Are Unionizing. Here’s What’s Driving a Movement That’s Been Years in the Making The reasons tell us a lot about the state of the arts today. By Catherine Wagley, Nov 25, 2019
Analysis Goodbye Art World, Hello Art Industry: How the Art Market Has Transformed—Radically—Over the Past 30 Years Today’s art business looks nothing like it did 30 years ago. By Tim Schneider, Nov 25, 2019
Analysis Tad Smith Went From the Entertainment World to Remake Sotheby’s. Now That He’s Out as CEO, Where Does the Auction House Go From Here? Unpacking the ways Sotheby's evolved—and didn't—during Smith's four and a half years as CEO of the renowned auction house. By Tim Schneider & Eileen Kinsella, Oct 30, 2019
Analysis How New York’s MoMA Raised More Than $400 Million for Its Expansion in Just Four Years Four people—Leon Black, David Geffen, Ken Griffin, and Steve Cohen—gave more than 50 percent of the target sum. By Eileen Kinsella, Oct 10, 2019
Analysis How Scholars and Curators Helped Create an International Art Market for Pioneering American Modernist Marsden Hartley The market for the artist's work, once confined to the US, has become much more widespread. By Eileen Kinsella, Sep 30, 2019
Analysis ‘You Make a Decision to Continue’: Amid a Crushing National Deficit, Beirut’s Art Scene Finds Creative Ways to Stay Afloat Many were pleasantly surprised by the strong attendance at the recent Beirut Art Fair. But for some, it's still not enough. By Rebecca Anne Proctor, Sep 27, 2019
Analysis Frieze’s Majority Owner, the Hollywood Colossus Endeavor, Is About to Go Public. What Does the IPO Mean for the Art-Fair Company? Want a possible sneak peek into Frieze's future? Endeavor's SEC filings and underlying business offer clues about what to expect next. By Tim Schneider, Sep 26, 2019
