This image appears to be an artist's rendering of a landscape design for a park or a green space near an institutional building. On the left side of the image, a pathway meanders through a field of tall grasses and wildflowers, flanked by young trees and patches of green grass. There are several people in the distance, casually enjoying the space—some are walking and others are seated on the grass. A woman with long hair, wearing a short-sleeve dress and carrying a large bag on her shoulder, is walking along the path, leading the viewer's eye through the scene. She seems to be heading toward a large industrial-style building on the right side of the rendering, which is made of concrete or metal and has a relatively flat facade with square windows. The building is adorned with letters spelling out "DIA" and "BEACON" along with a circular symbol, suggesting that this may be an image related to Dia Beacon, a museum for the Dia Art Foundation's collection of art from the 1960s to the present. The sky above is blue with some cloud cover, suggesting a bright but overcast day. The rendering likely aims to illustrate a proposed or future integration of natural and built environments, emphasizing accessibility, leisure, and aesthetic appeal.
A rendering provided by Dia Beacon shows the planned meadowlands behind the foundation's campus in upstate New York.

The Dia Art Foundation has announced a major landscaping project focused primarily on restoring three acres of lawn at its location in Beacon back to its native meadowlands and bolstering defenses from rising floodwaters from the Hudson River, caused by climate change. The new project will publicly open a total of eight acres of land.

Studio Zewde, the landscape architecture and urban design firm led by Sara Zewde, has been tapped to lead the transformation of the swathe of land found behind the Dia Beacon building. Construction is scheduled to begin this summer and the transformed landscape is expected to open to the public in 2025.

“As extreme weather becomes a fact of life globally, Dia Beacon’s location on the banks of the Hudson River makes bolstering resistance to rising water ever more important,” the foundation said. More than 90 native meadow species and nearly 400 new trees and shrubs will be planted at the site.

With the project, a total of 11 acres of outdoor space at the 32-acre campus will be opened to the public as a free amenity for visitors to the Hudson Valley region of upstate New York, counting three acres in front of the institution previously designed by Robert Irwin. Among new features, the site is expected to include a small lawn, which Dia Beacon said opens up the possibilities for outdoor public programming and engagement.

“The design’s landforms, the meadows, and the embrace of water in the landscape are a means of managing the 21st-century challenge of rising water but are also a means of remembering,” Sara Zewde said in a statement.

She said the design team was inspired by the region’s history and the movement of American Indians in the area. The design team has also considered Robert Irwin’s landscape design in the front of the building, completed in 2003. The late artist was instrumental, along with architects OpenOffice, in transforming a former Nabisco Box Factory building into an exhibition-ready space; he also seeded a grove of fruit trees along its parking lot and designed the museum’s west garden.

“The landscape surrounding Dia Beacon has always been essential to the experience of the museum,” Dia director Jessica Morgan said in a statement “In renovating the abandoned factory building, the interior of the galleries, the forecourt, the adjacent gardens, and even the parking lot were all designed by the renowned late artist Robert Irwin. This new project extends this immersive approach to site.”

Dia Beacon’s expansive campus has long made it ideal for the display of large-scale artworks and installations. Andy Warhol’s “Shadows” series (1978–79), encompassing 102 silkscreen canvases originally commissioned by the foundation, as well as Meg Webster’s signature earthworks, including Concave Earth (1986–90) and Mother Mound (1990), are currently on long-term view at the museum.

Rendering of
Dia Beacon’s south
landscape.
Courtesy Studio Zewde, 2024

Rendering of
Dia Beacon’s south
landscape.
Courtesy Studio Zewde, 2024

Rendering of
Dia Beacon’s south
landscape.
Courtesy Studio Zewde, 2024

Rendering of
Dia Beacon’s south
landscape.
Courtesy Studio Zewde, 2024

Rendering of
Dia Beacon’s south
landscape.
Courtesy Studio Zewde, 2024