Juerg Judin and Adrian Ghenie Photo: Tobias Kleinod, Courtesy Weltkunst
Juerg Judin and Adrian Ghenie Photo: Tobias Kleinod, Courtesy Weltkunst

On February 27th, a swath of artists, publishers, gallerists, and collectors joined German magazine Weltkunst at the Berlin home of Galerie Judin owner Juerg Judin to celebrate the launch of a new book on Adrian Ghenie. Published by Hatje Cantz, the book represents the first major monograph dedicated to Ghenie’s work and features a foreword by Judin as well as a critical essay by Mark Gisbourne. The artist, also represented by Pace and Plan B is often noted as being a founder of the Cluj School of painting. However, Ghenie was quick to deny the existence of any such school in the talk with Weltkunst publisher Christoph Amend around which the evening was centered.

Juerg Judin and Adrian Ghenie
Photo: Tobias Kleinod, Courtesy Weltkunst

Sebastian H., friend, and Moeller Fine Art director Stephanie Moeller
Photo: Tobias Kleinod, Courtesy Weltkunst

Dealer Isabelle Gräfin Du Moulin and Hatje Cantz’s Nadine Barth
Photo: Tobias Kleinod, Courtesy Weltkunst

 

Sophie Ventura and Weltkunst editor in chief Lisa Zeitz
Photo: Tobias Kleinod, Courtesy Weltkunst

Dr. Ingeborg Becker and the Alte Nationalgalerie’s Dr. Philipp Demandt
Photo: Tobias Kleinod, Courtesy Weltkunst

David Ulrichs and Weltkunst publisher Christoph Amend
Photo: Tobias Kleinod, Courtesy Weltkunst

Wolfgang Wittrock looking at a painting by Adrian Ghenie
Photo: Tobias Kleinod, Courtesy Weltkunst

Adrian Ghenie and Christoph Amend
Photo: Tobias Kleinod, Courtesy Weltkunst

Juerg Judin, Thole Rotermund, and Gisbert Pöppler
Photo: Tobias Kleinod, Courtesy Weltkunst

Nadine Barth and Karin Graf
Photo: Tobias Kleinod, Courtesy Weltkunst

Sebastian H., Beate Scheder, and Jana Bach
Photo: Tobias Kleinod, Courtesy Weltkunst

Matthias Benz and Sebastian Preuss
Photo: Tobias Kleinod, Courtesy Weltkunst

Birgit Maria Sturm and Christoph Amend
Photo: Tobias Kleinod, Courtesy Weltkunst

Juerg Judin’s converted gas station
Photo: Tobias Kleinod, Courtesy Weltkunst