It is time, once again for our monthly roundup where we talk about three of the big stories of the month.  In the summer sometimes the art news slows down, but the news news has not slowed down at all, of course. And we have three stories that we’re going to talk about that are very much about where art and the news collide.

Today we’re going to talk about the critical reaction to the instantly famous photo of Donald Trump with his fist raised in the air immediately after the attempted assassination on him two weeks ago in Butler, Pennsylvania. A lot of art critics said that this photo was so powerful, it could define the race. Art critic Ben Davis had his doubts.

Obviously, the news cycle moves very fast. This past weekend, Joe Biden dropped out of the presidential race and endorsed vice president Kamala Harris, and there’s a whole new round of uses of the word “unprecedented” floating around. So we are going to talk about what, if anything, the lasting impact of this photo might be.

Why it got such a reaction, and what the perils of decoding news images through the lens of art are. Then we’re gonna talk about the defacement of a goddess statue by the artist Shahzia Sikander in Texas, which had been protested as satanic, and the artist’s decision to leave it in its damaged form rather than repair it as a statement.

And finally, we go down under to Australia for a story that has made international headlines. An artist created an art installation in the ladies’ bathroom of a museum as a statement about sexism and gender discrimination, filling the washroom with Picasso paintings. But in a twist that has brought the story back into the news, the Picassos have now been revealed to be fake.

Is this a serious story? Is it silly? It’s a question that Art Angle co-hosts Ben Davis and Kate Brown tackle along with this week’s guest, our hardworking news correspondent Adam Schrader.