Colin Gleadell

Latest from Colin Gleadell
Art World

A Famous Banksy Self-Destructs Live as Sotheby’s Contemporary Art Sales Fetch $91.5 Million in London

by Colin Gleadell

Art World

Led by a Joan Mitchell and the Karshan Collection, Phillips’s Contemporary Art Evening Sale Takes $26.4 Million in London

by Colin Gleadell

Auctions

Christie’s London Kicks Off the Frieze Week Auctions With a Tempered—and Very Brit-Centric—$161 Million Contemporary Sale

by Colin Gleadell

Auctions

Auction Powerhouse Christie’s Shrinks Down in London for Two Modest Summer Sales Fetching $17.5 Million

by Colin Gleadell

Auctions

Led by Kippenberger, Phillips’s London Auction Fetches $45.2 Million—A White-Glove Sale Leaving Last Year’s in the Dust

by Colin Gleadell

Auctions

Ringing in Major Sales, Sotheby’s $146 Million Contemporary Art Auction Reaffirmed the Deep Pockets of London’s Summer Season

by Colin Gleadell

Auctions

Christie’s Revives the Market’s Mood With a Strong $168 Million Impressionist and Modern Sale in London

by Colin Gleadell

Auctions

Sotheby’s Begins the Summer Season With a Limp $116 Million Impressionist and Modern Sale, Its Lowest Total Since 2012

by Colin Gleadell

Auctions

Phillips Steps It Up With a Triumphant $135 Million Auction in London, the House’s Best Ever

by Colin Gleadell

Auctions

Sotheby’s Notches a Robust $151.7 Million Contemporary Sale in London, Despite Flops by Hockney and Doig

by Colin Gleadell

Auctions

Christie’s Kicks Off London’s Contemporary Auctions With a Solid $192 Million Sale, Led by Warhol

by Colin Gleadell

Auctions

A Petite $69 Million Picasso Leads Sotheby’s Solid $189 Million Impressionist Sale in London

by Colin Gleadell

Auctions

A Late Picasso ‘Musketeer’ Leads a Healthy $206 Million Impressionist & Modern Sale at Christie’s London

by Colin Gleadell

Art & Exhibitions

Experts Say Russian Modernism Show at Ghent Museum Is ‘Highly Questionable’

by Colin Gleadell

Auctions

Is the Italian Art Market Out of Steam? Disappointing Sales in London Suggest a Return to ‘Normal’

by Colin Gleadell