Opinion Francis Picabia—The Most Important Artist You’ve Barely Heard Of THE DAILY PIC: In MoMA's Picabia retrospective, he comes off as stranger and more daring than all the other moderns. By Blake Gopnik, Jan 4, 2017
Opinion Cate Blanchett Turns Manifestos Into Empty Spectacle THE DAILY PIC: At the Park Avenue Armory, Rosefeldt's 'Manifesto' turns screeds into fun scripts for Blanchett. By Blake Gopnik, Jan 3, 2017
Opinion David Ebony’s Top 10 New York Gallery Shows of 2016 David Ebony looks back at his favorite shows of the year. By David Ebony, Dec 23, 2016
Opinion Merry Christmas From Andy Warhol—and His Fans THE DAILY PIC wishes readers the very best of the holiday season, in the best Andy Warhol tradition. By Blake Gopnik, Dec 22, 2016
Opinion Was Russia’s Greatest Revolution the One That Upended Art? THE DAILY PIC: MoMA's holdings in revolutionary Russian art show the birth of both modernism and the postmodern. By Blake Gopnik, Dec 21, 2016
Opinion The Emperor Augustus’s Pocket Watch? THE DAILY PIC: At the Institute for the Study of the Ancient World, classical timekeeping looks rigorously imprecise. By Blake Gopnik, Dec 19, 2016
Opinion Wolfgang Staehle Catches Gentrification in Action THE DAILY PIC: At Postmasters, Staehle provides a second-by-second record of the changes that hit a New York street. By Blake Gopnik, Dec 19, 2016
Opinion artnet News Critics’ Picks: The Most Memorable Artworks of 2016 artnet News' editors and contributors pick their favorites from a year's worth of memorable art. By Artnet News, Dec 18, 2016
Opinion Morris Graves – Another Candidate for Revival? THE DAILY PIC: Graves, now mostly known in the Northwest, deserves to get back his national stardom. By Blake Gopnik, Dec 16, 2016
Opinion Did Sol LeWitt Wear A Henry Ford Costume? THE DAILY PIC: In the old factory that is now Dia Beacon, Sol LeWitt's abstractions paint a picture of manual labor. By Blake Gopnik, Dec 15, 2016
Opinion Mid-Century Modern—In 1933? THE DAILY PIC: In MoMA's design-collection show, America's swooping lines of the '30s seem to come back to life in the 1950s. By Blake Gopnik, Dec 14, 2016
Opinion Henk Wildschut’s Refugees Are With Us Here, Now THE DAILY PIC: At MoMA, Henk Wildschut shows a home held together with toy-store tape. By Blake Gopnik, Dec 13, 2016
Opinion Mark Rothko: More ‘Abstract’ Than ‘Expressionist’ THE DAILY PIC: At Pace, Rothko's pictures are dark, sure—but so are Christmas pudding and port and other cheery pleasures. By Blake Gopnik, Dec 12, 2016
Opinion Jerry Saltz and the Future of the Critic-Artist There are few critics like Jerry Saltz. Scratch that—there are none. By Kenny Schachter, Dec 9, 2016
Opinion When Photoshop Was Just White-Out and Tape THE DAILY PIC: At Hiram Butler Gallery in Houston, manipulated photos from the Murray Moss Collection let us watch lies being told. By Blake Gopnik, Dec 9, 2016
