Art Industry News is a daily digest of the most consequential developments coming out of the art world and art market. Here’s what you need to know on this Monday, July 5.

NEED-TO-READ

Trouble at the Norway Biennial – At least seven artists asked to withdraw their work from the Momentum 11 biennial in Moss, Norway, after curator Théo-Mario Coppola was fired just weeks ahead of its June 26 opening. The biennial cites Coppola’s unprofessional behavior as the reason for their dismissal, while the curator blames unfair working conditions and a lack of preparedness to execute installations from a technical perspective. Artists Marinella Senatore and Karol Radziszewski say that their works have been included in the exhibition against their wishes. (The Art Newspaper)

France Is Bringing Creatives to the U.S. – The French government is launching the Villa Albertine, a roving residency program that will give French artists around €20,000 ($23,600) each to work on projects in the U.S. But unlike the nation’s Rome residency, the Villa Medici, the new initiative doesn’t have a dedicated headquarters, which allows participants to stay in different parts of the U.S., or to travel during a one-to-three month residency. The inaugural cohort of artists includes cartoonist Quentin Zuitton, who will draw portraits of teenagers while riding the rails from New York to Los Angeles. (TAN)

The Next Fourth Plinth Artists Have Been Chosen – Artists Samson Kambalu and Teresa Margolles have been chosen to make the next two commissions for the fourth plinth in London’s Trafalgar Square in 2022 and 2024. Kambalu’s sculpture will re-stage a 1914 photograph of Baptist preacher and pan-Africanist John Chilembwe and European missionary John Chorley, and Margolles, who will create the plinth in 2024, has cast the faces of 850 trans people from London and around the world. (Press release)

Controversy Embroils Korea’s Venice Biennale Pick – The Arts Council Korea had narrowed down its choices for the nation’s pavilion at next year’s Venice Biennale to just four artists—until it was revealed that two of the finalists had worked with a member of the selection committee, creating a potential conflict of interest. That judge has been asked to step down, and the now six-member panel will restart the review process to consider all 12 applications. (Korea Times)

ART MARKET

Banksy’s Painting With Critique on Climate-Change Fetches $6M – Banksy’s 2009 hijacked oil painting, Subject to Availability, sold for $6,342,180 at Christie’s last Wednesday. Banksy copied an 1890 painting of Mount Rainer and added his own snarky commentary on climate change to the work, writing: “*Subject to availability for a limited period only.” (Seattle Times)

A $4.42M Copy of the Declaration of Independence Breaks Records – A signer’s copy of the Declaration of Independence that was printed in the 19th century sold for $4.42 million at Freeman’s in Philadelphia. The rare document sold for more than five times its $800,000 upper estimate. (ArtfixDaily)

COMINGS & GOINGS

Sculptor Kenzi Shiokava Dies – The Brazilian-born artist, whose wooden totems inspired by Brazilian and Japanese motifs were included to much acclaim in the 2016 “Made in L.A.” biennial at the Hammer Museum, died last month at the age of 82 from chronic conditions exacerbated by a recent car accident. (Los Angeles Times)

France Returns Painting to Hugo Simon’s Heirs – The French government has returned a Max Pechstein painting to the heirs of its former owner, a Jewish banker who fled to France after the Nazis took power in 1933. The painting was in the collection of the Musée national d’art moderne in Paris. (TAN)

FOR ART’S SAKE

World Wildlife Fund Recruits Artists – The wildlife conservation group is marking its 60th anniversary with a campaign called Art for Your World, which includes a print sale, and a Sotheby’s auction organized by London’s Artwise Curators. The auction, running from October 8 to 15, will feature Tracey Emin, Anish Kapoor, and Jadé Fadojutimi, among others. The initiative hopes to raise awareness of the potential risks to wildlife caused by climate change and rising temperatures, as illustrated in World Wildlife Fund’s recent report, “Feeling the Heat.” (ARTnews)

Futura Beats The North Face in Lawsuit – The clothing retailer North Face is in trouble after using an atom-like logo that street artist Futura says is a copy of his signature design. Futura filed a lawsuit claiming the brand purposefully invoked him in order to suggest an association. The brand denies any copyright infringement, but says it will begin to phase out its use as a gesture of goodwill, adding that it is committed to supporting artists and their communities. (Creative Bloq)