My Gallery Is Your Gallery: Condo-Style Sharing Spreads to Poland

The first edition of the new gallery share initiative "Friend of a Friend" has launched in Warsaw.

Future Gallery (Berlin/Mexico City) showing Botond Keresztesi's Danse Makabre at Piktogram. Courtesy Future Gallery.

First there was Condo, then came Okey Dokey, and now Europe is getting to know Friend of a Friend, a gallery-share initiative launched in Warsaw this month. For the inaugural edition of what is more commonly being called FOAF, eight Polish hosts opened up their spaces to 15 guest galleries and shared their local network of viewers, collectors, and institutional contacts.

All these “friends” are a part of the growing community of emerging and mid-level galleries around the world who are determined to change the rules of the game: Call it the Condo-effect.

Foksal Gallery Foundation hosts ChertLüdde (Berlin), Jan Kaps (Cologne). Courtesy of Friend of a Friend.

Warsaw’s gallery-share initiative comes on the heels last fall’s inaugural Okey Dokey in Cologne. It includes many of the same galleries as the German-based gallery share, like Jan Kaps from Cologne and New York’s Lomex, in a slightly tweaked format. Lomex, which won the inaugural Friends Art Fund prize. A work shown by the winning gallery during Friend of Friend is to be acquired by Warsaw’s Museum of Modern Art.

The overlap with Okey Dokey, and the general enthusiasm from all its participants, suggests a sustained initiative by a network of smaller galleries throughout Europe and beyond who are tired of relying solely on the saturated, high-risk, and expensive fair season. On opening day, several tours came through each of the eight galleries with a mix of curators, collectors, and journalists. The low number was a deliberate move to keep things digestibly sized. Notable fairs, like Art Cologne, show around 200 galleries—understandably, interactions between gallerists and potential buyers can be more fleeting.

Raster hosts Bernhard (Zurich) and Ermes-Ermes (Vienna). Courtesy of Friend of a Friend.

“We think that there is a huge need for new ways of working for small galleries and getting out of the box of an art fair booth. It’s an interesting moment and surely we’re going to see what is the effect of it in the near future,” say directors Zuzanna Hadryś and Michał Lasota from Stereo. One of the initiative’s co-founding galleries, Stereo hosted Crèvecœur from Paris and Reserve Ames from Los Angeles.

Stereo had also been invited to Okey Dokey and Condo London last year and they were quick to credit both as inspiration for Friend of a Friend. Together with Wschód (they hosted Frankfurt’s Neue Alte Brucke and London’s Union Pacific), the two Warsaw-based galleries organized the event and paired galleries with their hosts, working with the government-sponsored Adam Mickiewicz Institute in Warsaw, and with some hefty support from the city of Warsaw as well.

Exhibition view at Foksal Gallery Foundation hosting ChertLüdde (Berlin), Jan Kaps (Cologne). Courtesy of Friend of a Friend.

Beyond its annual gallery weekend, Warsaw is not exactly on the main circuit for European collectors and institutional curators. But there is a tight network of galleries working to change that. The city also saw the launch of Not Fair last September, a “group exhibition” featuring fourteen galleries with individual solo presentations that ran alongside the city’s gallery weekend. Not fair took a more centralized approach than Friend of a Friend, hosting the gallery-curated exhibition in one of the city’s most remarkable buildings, the Palace of Culture and Science, a Soviet-era architectural flex that resembles the Empire State Building.

These two new Warsaw platforms are on friendly terms and both have a “more is more attitude” when it comes to bringing international attention to their Eastern European art scene. Piktogram’s Michal Wolinski, who founded Not Fair, explained that they are cooperating together to bring more visibility to the region.

“I think that collaboration between emerging galleries who share common goals and ideas could create an alternative ecosystem in the art world and art market,” says Michal Wolinski of Piktogram. They also participated in Friend of a Friend with guests Future Gallery (Berlin), Svit (Prague), and Lomex. He will also be showing Zuzanna Czebatul as the featured artist for Art Cologne’s annual entrance installation next week.

Lucas Hirsch from Düsseldorf was grateful to be plunged into this totally new scene thanks to the new gallery share. “With such a concentrated selection of galleries you feel that what you are showing is actually being seen by the majority of the visitors and with the hosts you also have someone there who is an insider to that art scene, trying to introduce your program to as many people as possible,” Hirsch tells artnet News.

“It would be great though if more collectors would start showing as much interest and trust in gallery shares as the curators and the press do,” he adds. He is also showing at Art Cologne this week.

In Warsaw, Hirsch showed German artist Lukas Müller at Dawid Radziszewski’s gallery. Radziszewski part in Condo London in January and will also be attending the inaugural Condo Mexico later this year.

All exhibitions will be on view until the end of the month. While these experimental models of collaboration are certainly noble, show conceptual strength, and are garnering excitement, it remains to be seen whether the gallery-share model will become directly profitable, beyond building a network and cultivating viewership and new friends.

Friend of a Friend runs from April 7 through April 28, various venues, Warsaw, Poland. 

Petrit Halilaj Do you realise there is a rainbow even if its night orange red (2017).

Wschód hosts Neue Alte Brücke (Frankfurt) and Union Pacific (Londyn), Courtesy of Friend of a Friend.

Stereo hosts Crèvecœur (Paris) and Reserve Ames (Los Angeles). Courtesy of Friend of a Friend.

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