Why Is Samsung’s A.I. Sydney Sweeney Portrait So, So Bad?

The 'Girl With a Pearl Earring' of corporate A.I. slop.

Screenshot of a comparison between a portrait of Sydney Sweeney and an A.I. cartoon made from her from the "Unpacked" event.

Everyone’s talking about “slop” lately. That’s the new term that captures the unstoppable downward spiral of the web, as Generative A.I. fills it with gibbering text and lifeless variations on popular things.

You can think of many symbols of the Era of Ensloppification. I might mention, for instance, “Shrimp Jesus,” the A.I.-generated pictures of Jesus made out of shrimp that have infested Facebook.

But these have a grassroots component. These are the people’s slop. They have an unintentional greatness that approaches the unintentional greatness of Cecilia Giménez’s viral restoration of Ecce Homo back in 2012 (a.k.a. “Beast Jesus“), which I still remember fondly a decade-plus later.

Elías García Martínez, Ecce Homo (1930), and Cecilia Giménez's infamous 2012 restoration attempt.

Elías García Martínez, Ecce Homo (1930), and Cecilia Giménez’s infamous 2012 restoration attempt.

But the drive to slop goes all the way to the top, to the corporate level. In fact, it’s at the top that the slop is the sloppiest.

It’s this thought that has me still thinking about the clip from Samsung’s “Unpacked” event earlier this month in Paris, an expo where the company shows off new products. Event host Annika Bizon, whose official title is “Marketing and Omnichannel Director at Samsung Electronics UK & Ireland,” took to the stage to demo all the whizzy new A.I. features on the company’s Galaxy ZFold 6 phone.

The company is really selling its new Gen A.I. tools hard, pushing the phone’s integration with Google’s Gemini A.I. It is very proud of a feature called “Sketch to Image,” where you can sketch the rough outline of a drawing, and the device will spit it back to you as a full illustration.

An example: Bizon shows a stock photo of a perfectly calm Seine at night, the Eiffel Tower glowing in the background. You’re probably thinking, “Boring!”

Well, with the “Sketch to Image” autofill function, you can scribble an outline of a boat on the water, and the A.I. will add a fully realized image… of a boat that doesn’t look anything like the boat you wanted! Yours had smokestacks and a hatch and a pointy bow and was making waves, and the Galaxy ZFold 6 created… some other kind of boat!

An image of a river with the sketch of a boat on it compared to the same river with a fully rendered, different boat on it

Comparison of the two boats created by Samsung’s “Sketchy” feature.

I mean, it’s impressive enough. But weirdly, the message is not that this is a tool to create your dream image. It seems to be that it’s a tool that gives you images you can settle for in place of getting your dream image.

That’s not the part of the “Unpacked” demo that got people tittering, though. Right after the boat bit, 38 minutes into the presentation, Bizon is showing off how the phone can take photo portraits and “imagine them in different styles.” For instance, it can make a photo look like a sketch, or a watercolor, or a 3D cartoon, or a comic. “You just have to think about how to do it the best!”

Now, you are probably saying to yourself, “Samsung’s big A.I. feature is a novelty photo-filter app from several years ago?”

The answer to that question from Samsung is a hearty, “Look over there—is that Euphoria star Sydney Sweeney?”

And yes, Sweeney is seated in the crowd with the suits and the tech journos. “We’ve used your portrait to generate a 3-D image,” Bizon explains. “Shall we take a look?” And the cutting-edge A.I. artwork is unveiled on the big screen.

Sweeney reacts like a teacher getting a macaroni valentine from the weirdest kid in the class. “Oh, I love it.”

“You look absolutely amazing,” Bizon crows. “Thank you so much for joining us today.”

The entire Sweeney appearance lasts for an inexplicably brief 30 seconds, which makes it feel particularly like a non sequitur. People really enjoyed her reaction online.

And I love the Sydney Sweeney portrait. Because it truly is a bellyflop. And it’s a bellyflop at a pool party to which Samsung invited the real Sydney Sweeney, yelling out to her, “This one’s for you!”, before throwing its gut proudly at the hard surface of the water, arms flung wide open like Shrimp Jesus.

In terms of likeness, you’d do better if you just used the sketch feature and did not use the A.I. features. The A.I. has taken her famously downturned eyes and corrected them. I sent the 3-D cartoon Sydney Sweeney to StarbyFace.com, my preferred celeb face photo detector. “Sydney Sweeney” was not even one of the possibilities proposed by the site when it analyzed the image…

A cartoon of a blonde white woman, with comparisons to the faces of four different actresses

Screenshot from StarbyFace.com.

Why is the real Sweeney wearing a pink outfit and the A.I. Sweeney wearing a blue one? Why is real Sweeney smiling and the A.I. Sweeney blank-faced? Are they showing off a “Make Me Boring” button? So many questions!

Once again, this was not a live feature demo. Samsung’s team picked these images to represent the best they could do.

What is going on? Here’s my read. A.I. has broken the corporate marketing brain. They look out there and they just see, “A.I.! A.I.! The hot thing is A.I.! We gotta do an A.I.!” And by definition both the technology and the entire mentality being brought to it makes it hard to see the difference between making mass amounts of shitty things and doing actually cool creative work.

So you get a slop demo. It’s weirdly about showing off what the tools can do but it’s like no one looked at what they were showing. You get Samsung slopifying its brand in the effort to give you tools to make slop.

When we look back on this moment of corporate history, I think a great symbol of it will be dead-eyed A.I. Sydney Sweeney. Or Slopney Slopney, as I prefer.


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