Auctions
By the Numbers: A Breakdown of Results from Sotheby’s Modern Art Evening Sale in New York
Let the numbers tell the story.
Let the numbers tell the story.
Katya Kazakina ShareShare This Article
Sotheby’s held its evening sale of modern art on November 18, immediately following dedicated evening auction of Sydell Miller’s collection. The first one was a success, the second not so much.
The difference between them sent a clear message about what buyers want—and what they don’t. The result represented a 58 percent drop compared to the same event last year, a sign of a major contraction in the public high-end resale market. One unsold lot, which had been backed by the house guarantee—Matisse’s Torse de jeune fille (1921–23), estimated at $12 million to $18 million—resulted in the sale’s overall disappointing numbers.
Total Sales After Fees: $93.1 million
Total Sales of Equivalent Auction Last Year: $223.4 million
Hammer Total: $79.2 million
Top Seller: Alberto Giacometti’s Buste (1953, cast 1954), of the artist’s brother Diego, $13.3 million.
Lots on Offer: 31
Lots Withdrawn: 2
Lots Sold: 24
Lots Bought In: 7
Sell-through Rate: 72.7 percent
Sell-through Rate After Withdrawals: 77.4 percent
Presale Low Estimate: $102.3 million
Presale Low Estimate After Withdrawals: $92.3 million
Hammer Total vs. Presale Low Estimate: -$23.1 million
Hammer Total vs. Presale Low Estimate (revised after withdrawals): -$13.1 million
Lots Guaranteed: 13
Lots With House Guarantees: 13
Lots With Third-Party Guarantees: 12
Total Low Estimate of Withdrawn Lots: $10 million
Total Low Estimate of Guaranteed Lots: $35.5 million (34.7 percent of total presale low estimate)
Total Low Estimate of Third-Party Guaranteed Lots: $23.5 million (23 percent of total presale low estimate)
Quote of the Night: “There’s nothing chicer right now than these badass, witchy women,” Julian Dawes, Sotheby’s head of Impressionist and Modern art, said about female Surrealists, whose prices continue to rise.
Lasting Memory: A five-way bidding war for Leonora Carrington’s La Grande Dame (The Cat Woman), 1951. The 6.5-foot-tall sculpture sold for $11.4 million, blowing past its presale range of $5 million to $7 million. The winner was Eduardo Costantini, a leading collector of Latin American art, who bought Carrington’s record-breaking painting Les Distractions de Dagobert (1945) for $28.5 million at Sotheby’s six months ago.
Parting Shot: The sale’s successes and casualties signaled what buyers want right now —and they don’t want.
Next Sale Up: Christie’s 20th Century evening sale on November 19.