Art Fairs
NADA Miami Beach 2014 Will Be the Anti-Art Basel
The art fair sees 15 new exhibitors, and at least one Art Basel bounce-back.
The art fair sees 15 new exhibitors, and at least one Art Basel bounce-back.
Rozalia Jovanovic ShareShare This Article
The New Art Dealers Alliance (NADA) has just announced its exhibitor list for the 12th edition of NADA Miami Beach. The art fair, which will take place from December 4–7 at the Deauville Beach Resort, will feature over 90 exhibitors with a little over 40 from New York, and including 36 international galleries, along with 15 exhibitors that are new to the fair.
There are around twenty New York exhibitors that are not returning this year, including Churner + Churner, James Fuentes, the Hole, Horton (which merged earlier this year with ZieherSmith), Klaus von Nichtssagend Gallery, Joe Sheftel, Kerry Schuss, Simone Subal, Kate Werble, Feature Inc. (the gallery’s founder, Hudson, died earlier this year), Andrew Edlin, Clifton Benevento, the Still House Group, Know More Games, Recess, and Devon Dikeou. Some, like Clifton Benevento and Simone Subal, are doing Art Basel in Miami Beach this year. Some are not making it to Miami at all this year. Kate Werble said she is attending two fairs in Europe in October—London’s SUNDAY Art Fair and the new FIAC satellite (Off)icielle—and her gallery just underwent an expansion. Some New York galleries that did not partake last year but are exhibiting this year are Bodega, Chapter NY, the Lodge Gallery, Grand Century, Koenig & Clinton, Kai Matsumiya, Simon Preston, Regina Rex, and Tomorrow.
“Galleries apply to multiple fairs with multiple types of projects,” Maggie Clinton of Koenig & Clinton told artnet News. “The project we applied with to Art Basel Miami Beach was waitlisted.” While the gallery has participated numerous times in NADA Miami Beach, it did Art Basel Miami Beach last year. This year, it is participating in NADA and Untitled. But she said that their decision about which fairs to attend related more to the formats of the various fairs. “I think that NADA is an excellent format for emerging artists. Untitled is really great for curatorial projects. We have an artist that will be featured at the fair, and it’s the type of project that could not be shown at any of the other fairs.”
Other advantages NADA has over the larger fair? “You’re not going to see way too much stuff,” Clinton said. “There’s not a huge discrepancy between larger booths and smaller booths.” While she noted the benefit of the larger audience at a larger fair, she said there was less chance of falling victim to so-called “fairtigue.” “You also have this moment in between, because of the architecture, to just have a coffee, and stop and see more art.”
Without further ado, here is the list:
Cooper Cole, Toronto, Canada
The Apartment, Vancouver
Andersen’s Contemporary, Copenhagen, Denmark
Temnikova & Kasela, Tallinn, Estonia
High Art, Paris, France
Future Gallery, Berlin, Germany
Natalia Hug Gallery, Cologne, Germany,
Galerie Christian Lethert, Cologne Germany
Linn Luhn, Dusseldorf, Germany
Galerie Max Mayer, Dusseldorf, Germany
Galerie Parisa Kind, Frankfurt, Germany
Proyectos Ultravioleta, Guatemala City, Guatemala
Tempo Rubato, Tel Aviv, Israel
Apalazzo Gallery, Brescia, Italy
Frutta, Rome, Italy,
Federica Schiavo Gallery, Rome, Italy
Galerie Bernard Ceysson, Luxembourg, Luxembourg
Lulu, Mexico City, Mexico
Rob Bianco, Oslo, Norway
Aoyama Meguro, Tokyo, Japan
Kayokoyuki, Tokyo, Japan
Misako & Rosen, Tokyo, Japan
Mujin-To Production, Tokyo, Japan
XYZ Collective, Tokyo, Japan
Roberto Paradise, San Juan, Puerto Rico
Sabot, Cluj-Napoca, Romania
Truth and Consequences, Geneva, Switzerland
Glasgow International, Glasgow, UK
Ibid, London, UK
Kinman, London, UK
Seventeen, London, UK
Rob Tuffnell, London, UK
Rod Barton, London, UK
The Sunday Painter, London, UK
Jonathan Viner, London, UK
Whitechapel Gallery, London, UK
247365, New York, Brooklyn, New York
Clearing, New York, Brooklyn, New York
The Journal Gallery, Brooklyn, New York
Courtney Blades, Chicago, Illinois
Shane Campbell Gallery, Chicago, Illinois
And Now, Dallas, Texas
Bill Brady Gallery, Kansas City, Missouri
Artist Curated Projects, Los Angeles, CA
Thomas Duncan, Los Angeles, CA
Francois Ghebaly Gallery, Los Angeles, CA
International Art Objects Gallery, Los Angeles, CA
Overduin & Co, Los Angeles, CA
Night Gallery, Los Angeles, CA
Tif Sigfrids, Los Angeles, CA
Young Art, Los Angeles, CA
Locust Projects, Miami, FLA
The Green Gallery, Milwaukee, WI
David Peterson Gallery, Minneapolis, MN
Alden Projects, New York
American Contemporary, New York
Nicelle Bauchene Gallery, New York
Bodega, New York
Brennan and Griffin, New York
Callicoon Fine Arts, New York
Canada, New York
Lisa Cooley, New York
Chapter NY, New York
Independent Curators International (ICI), New York
Eleven Rivington, New York
Derek Eller, New York
Thomas Erben Gallery, New York
Essex Street, New York
Zach Feuer, New York
Foxy Production, New York
Laurel Gitlen, New York
The Lodge Gallery, New York
Grand Century, New York
Jack Hanley Gallery, New York
Invisible-Exports, New York
JTT, New York
Karma, New York
Koenig & Clinton, New York
David Lewis, New York
Magic Flying Carpets, New York
Marlborough Chelsea, New York
Martos Gallery, New York
Kai Matsumiya, New York
P!, New York
Eli Ping Frances Perkins, New York
Simon Preston, New York
Regina Rex, New York
Sculpture Center, New York
Rachel Uffner Gallery, New York
Tomorrow, New York
White Columns, New York
Creative Growth, Oakland, CA
Adams and Ollman, Portland, OR
Ratio 3, San Francisco, CA