The Appraisal
It’s Raining Monet at the New York Auctions This Season—Will Demand Meet the Generous Supply?
We took to artnet's price database to investigate.
We took to artnet's price database to investigate.
Naomi Rea ShareShare This Article
A selection of stellar Monets could bring in as much as $305 million at auction this season in New York. Yep—that’s a lot of Monet. (Sorry.)
The Impressionist’s view of sunset over London’s parliament is being offered on May 12 at Christie’s as part of the collection of storied philanthropist Anne Bass (estimate: $40 million to $60 million) along with two other prime canvases. Christie’s is also including three Monets in its 20th century evening sale, with a combined estimate of $37 million to $53 million.
After a marketing tour de force that saw Sotheby’s bring Monet’s Le Grand Canal et Santa Maria della Salute to Venice during the vernissage of the Biennale, the house will offer the work at its Modern evening sale on May 17 with an unpublished estimate in excess of $50 million. (Two other Monets carrying a combined $25 million-to-$37 million estimate will also hit the block.)
Interestingly, there has been no sign of Les Demoiselles de Giverny, reportedly consigned by Washington Commanders owner Dan Snyder, which was yanked at the 11th hour from Sotheby’s London sale in March, where it had been estimated to fetch between £15 million and £20 million. The house said at the time that it would offer the work during the marquee sales in New York instead—but ultimately decided to further push back the sale until a quieter moment. (Sotheby’s is contracted to sell the piece either privately or publicly at any time in 2022.)
The delay may have been a sensible move. At a time when top-flight Monets are hitting the market in droves, we jumped into the artnet price database to see what we could find out about the appetite for the artist’s work.
Auction Record: $110.7 million, achieved at Sotheby’s New York in May 2019
Monet’s Performance in 2021
Lots sold: 23
Bought in: 3
Sell-through rate: 88.5 percent
Average sale price: $13.3 million
Mean estimate: $4 million
Total sales: $305.7 million
Top painting price: $70.4 million
Lowest painting price: $903,300
Lowest overall price: $5,856, for a signed charcoal sketch of a moonlit harbor scene.
There has been something of a flood of Monets to market since lockdowns lifted, which might have played a role in the artist’s lukewarm performance in London in March (while Dan Snyder’s Les Demoiselles de Giverny was withdrawn, his four other Monets did not perform particularly well, with one bought in by Sotheby’s). The London results could alternatively be explained by overly strong estimates for mid-quality works, as well as the fact that the sales took place shortly after the outbreak of war in Ukraine. (It probably didn’t help that Russian bidders have historically fueled a fair amount of the competition for Monet.)
While there has been some mumbling about a lack of Asian bidding in the New York sales so far this week, and a dearth Asian buyers at the top could mean losing some of the froth for Monet, specialists are not overly concerned. There remains a strong American market for the artist, and—even absent Russia—a depth of European bidders to drive competition.
Particularly interesting to watch will be the 1907 square-format Nympheas painting coming up as part of the Bass Collection at Christie’s. While collectors have been more interested in the large, abstract “water lilies” from 1914 and 1918 of late, this representative example will be a telling test of the breadth and depth of Monet’s market. Observers are also keeping an eye on the “poplars” painting in the Bass sale—top examples from the series haven’t come on the market in more than a decade.