The Serpentine Gallery’s Doughnut Lands in Kensington Gardens

Serpentine Gallery Pavilion 2014 designed by Smiljan Radić, Photograph © 2014 Iwan Baan
Serpentine Gallery Pavilion 2014 designed by Smiljan Radić, Photograph © 2014 Iwan Baan

 

Serpentine Gallery Pavilion 2014 designed by Smiljan Radić, Photograph  © 2014 Iwan Baan

Serpentine Gallery Pavilion 2014 designed by Smiljan Radić, Photograph
© 2014 Iwan Baan

Unveiled this morning, the Serpentine Gallery’s latest pavilion has already been nicknamed “the doughnut” by the BBC. The ring-shaped, semi-translucent structure rests on a series of rough-hewn boulders and comes courtesy of the Chilean experimental architect Smiljan Radić.

Radić’s is the Serpentine’s 14th pavilion. It’s the latest in a series of annual architecture commissions spearheaded by the Serpentine, that in the past has  featured temporary buildings by the likes of Zaha Hadid, Peter Zumthor, and Oscar Niemeyer.

Serpentine Gallery Pavilion 2014 designed by Smiljan Radić, Photograph  © 2014 Iwan Baan

Serpentine Gallery Pavilion 2014 designed by Smiljan Radić, Photograph
© 2014 Iwan Baan

The choice of the relatively obscure Radić shows a shift in the Serpentine’s approach, which seems increasingly inclined to embrace practitioners at the cutting-edge of the discipline, after more than a decade celebrating starchitects.

Spreading over 350 square meters, the pavilion is to remain in place for four months and will host a series of performances and events as part of the gallery’s Park Nights program.


Follow Artnet News on Facebook:


Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.

Share

artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. See our Privacy Policy for more information about cookies. By continuing to use our sites and applications, you agree to our use of cookies.

Subscribe or log in to read the rest of this content.

You are currently logged into this Artnet News Pro account on another device. Please log off from any other devices, and then reload this page continue. To find out if you are eligible for an Artnet News Pro group subscription, please contact [email protected]. Standard subscriptions can be purchased on the subscription page.

Log In