The Art Angle
The Art Angle Podcast: Inside the Controversy Over Hannah Gadsby’s ‘Pablo-matic’ Show
An exhibition co-curated by comedian Hannah Gadsby was meant to criticize Pablo Picasso. Instead, the show itself has caught flak.
![Pablo Picasso [L] and Hannah Gadsby [R]. Courtesy of the Brooklyn Museum.](https://news.artnet.com/app/news-upload/2023/06/ArtAngle_Square_June28-1024x1024.jpg "Pablo Picasso [L] and Hannah Gadsby [R]. Courtesy of the Brooklyn Museum.")
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Welcome to the Art Angle, a podcast from Artnet News that delves into the places where the art world meets the real world, bringing each week’s biggest story down to earth. Join us every week for an in-depth look at what matters most in museums, the art market, and much more, with input from our own writers and editors, as well as artists, curators, and other top experts in the field.
This year marks the 50th anniversary of the death of Pablo Picasso. To mark the occasion, an international event called Picasso Celebration has been organized, with 50 museums throughout the world running 50 different shows looking at the legacy of Picasso, among the most well-known artists of the 20th century.
Certainly the most unusual and most talked about of these is not a “celebration” of Picasso at all. The Brooklyn Museum is hosting “It’s Pablo-matic: Picasso According to Hannah Gadsby.” Brooklyn Museum curators Catherine Morris and Lisa Small have worked with the famous Australian stand-up comedian Hannah Gadsby to create an art show that takes its cues from Gadsby’s 2018 blockbuster Netflix comedy special Nanette.
That show was, among other things, a blistering argument about the sexism of art history, the art industry, and, specifically, of Picasso. “It’s Pablo-matic” has itself been at the center of a wave of criticism in recent weeks. Rachel Corbett, Artnet’s deputy editor, speaks to Ben Davis, Artnet’s national art critic, who wrote a long essay about the show, the reaction to the show, and what both mean for the site.
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