The Art Angle Podcast: Keltie Ferris and Peter Halley on the Mysterious Joys of Making a Painting

This week, two painters talk shop.

Left: Keltie Ferris. Courtesy of Morán Morán. Photo: Matthew Spiegelman. Right: Peter Halley. Photo: Brad Barket/Getty Images.
Left: Keltie Ferris. Courtesy of Morán Morán. Photo: Matthew Spiegelman. Right: Peter Halley. Photo: Brad Barket/Getty Images.

Welcome to the Art Angle, a podcast from Artnet News that delves into the places where the art world meets the real world, bringing each week’s biggest story down to earth. Join us every week for an in-depth look at what matters most in museums, the art market, and much more with input from our own writers and editors as well as artists, curators, and other top experts in the field.

 

 

Artists Peter Halley and Keltie Ferris first met sometime in the mid-2000s, at the height of the abstract painting revival. Halley, a pioneering Neo-Conceptualist renowned for his disciplined grids, was head of painting and printmaking at the Yale School of Art; Ferris, a graduate student with a knack for wielding fluid materials like spray paint.

Nevertheless, their work had a lot in common: a love of color, especially jangly fluorescents; an embrace of digital influences; and a desire to release painting from both its figurative and abstract forebears. Through the course of the teaching relationship, each found a respect for the other’s practice, and the conversation has continued—even if the two artists don’t actually talk as much as they once did.

To pit their paintings against each other today is like seeing estranged cousins reunite: time has changed them, but you can’t deny the shared DNA.

As New York’s first IRL art fair kicked off last week with the Armory Show, both Halley and Ferris presented new works at Independent Art Fair, known in certain circles as the “thinking person’s fair,” which debuted at the Battery Maritime Building in downtown Manhattan. Ahead of the fair, the teacher and his former student reunited to catch up and exchange ideas in a virtual chat moderated by Artnet News reporter Taylor Dafoe.

What followed was a rare glimpse at two artists talking shop, in a freewheeling conversation about about color, working methods, and what it means to make non-figurative painting in a time when figuration reigns supreme.

Listen to Other Episodes:

The Art Angle Podcast: How Facebook and the Helsinki Biennial Share a Vision for the Art World’s Future

The Art Angle Podcast: Artists in Residence at the World Trade Center Reflect on 9/11

The Art Angle Podcast: Genesis Tramaine on How Faith Inspires Her Art

The Art Angle Podcast: The Bitter Battle Over Bob Ross’s Empire of Joy

The Art Angle Podcast: How Britney Spears’s Image Inspired Millennial Artists

The Art Angle Podcast: How the Medicis Became Art History’s First Influencers

The Art Angle Podcast: How Two Painters Helped Spark the Modern Conservation Movement

The Art Angle Podcast: The Hunter Biden Controversy, Explained

The Art Angle Podcast: 18-Year-Old NFT Star Fewocious on How Art Saved His Life, and Crashed Christie’s Website


Follow Artnet News on Facebook:


Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.

Share