The Art Angle Round Up: A Glut of Paintings, a Fraudster’s Reckoning, and an Art Prank Gone Wrong

Ben Davis, Kate Brown, and Katya Kazakina discuss three art news stories dominating the headlines in the last month.

Illustration courtesy of Artnet.

Welcome to the Art Angle, a podcast from Artnet News that delves into the places where the art world meets the real world, bringing each week’s biggest story down to earth. Join us every week for an in-depth look at what matters most in museums, the art market, and much more, with input from our own writers and editors, as well as artists, curators, and other top experts in the field.

The fall art season is now officially in full swing. We’ve had a big round of fairs already around the world with the Armory Show, Independent 20th Century, Photofairs and more opening simultaneously in New York, and the second edition of Frieze Seoul and Kiaf Seoul taking place in Asia, plus all of the galleries and museums that have begun to roll out some of their biggest offerings of the year.

This week Artnet News’s national art critic Ben Davis speaks with with Europe editor Kate Brown and Art Detective columnist Katya Kazakina on another episode of the Art Angle Chatcast to take on some of the topics that have been animating the art discussion for the past month. On the docket this week are three topics: why painting is suddenly achieving a state of total dominance in the art galleries, the latest developments around the spectacular $86 million criminal scheme associated with the former art dealer Inigo Philbrick and the spate of lawsuits swirling around the art market, and about the case of the artist who tried to take $84,000 from a Danish museum and call it conceptual art.

 


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