Op-Ed Articles | Page 3 of 4

Op-Ed

I Led the Indianapolis Museum of Art for Five Years. Here’s How Charles Venable, Its Recently Ousted President, Failed the Institution

The museum excluded large parts of its core audience while failing to grow its endowment, despite its former president's business-oriented plans.

By Maxwell Anderson, Feb 23, 2021

Op-Ed

How Can I Tell If My Keith Haring Is Fake? Here Are Five Tell-Tale Clues, According to an Expert

Haring expert Richard Polsky breaks down what you need to know about warning signs in the artist's many bodies of work.

By Richard Polsky, Feb 9, 2021

Op-Ed

Here’s Why I Believe Lockdown Has Pushed the Art World Out of Its Comfort Zone—and on a Path to a More Equitable Future

Artist Chila Kumari Singh Burman on how this moment could transform the arts for the better.

By Chila Kumari Singh Burman, Feb 4, 2021

Op-Ed

Opinion: With Light at the End of the Tunnel, Art Fairs Are a Risk Not Worth Taking Before Vaccinations Are Widespread

We have already figured out how to survive without fairs for nearly a year. Why squander our health now?

By Jonathan Schwartz, Jan 25, 2021

Op-Ed

The Capitol Rioter Dressed Up as a Native American Is Part of a Long Cultural History of ‘Playing Indian.’ We Ignore It at Our Peril

To understand the many dangers posed by the Capitol riots, we must explore the symbolism behind the way they present themselves.

By Joseph Pierce, Jan 18, 2021

Op-Ed

I’m a Ten-Percent Activist. Here’s How You Can Join Me to Push the Art Industry Toward Shared Sustainability Goals

Gallerist Thomas Dane petitions the commercial art world to come together to fight climate change.

By Thomas Dane, Jan 14, 2021

Op-Ed

The Commercial Art World Rarely Offers Paid Internships. That’s Not Just Poor Ethics—It’s Also Bad Business

An investment in people is an investment in long-term profitability.

By Joe Dunning, Jan 5, 2021

Op-Ed

How Did the Benin Bronzes Come to Europe? Here’s How Colonial Powers Raced to Loot Them Amid a Program of Imperial Destruction

Author Dan Hicks takes a detailed look at what really happened before and after the UK's punitive raid on the Benin Palace in 1897.

By Dan Hicks, Dec 16, 2020

Op-Ed

What International Audiences Must Understand About the Conflict Between Armenia and Azerbaijan—and the Cultural Heritage That’s at Stake

Younger Armenian and Azerbaijani scholars can do a great deal if they dare to break from nationalist taboos.

By Thomas de Waal, Dec 10, 2020

Op-Ed

Arts Funding Is Facing an Existential Crisis. To Survive, Cultural Organizations Must Change How They Frame Themselves to the Public

The director of the Arts Funders Forum offers advice for an industry facing a new generation of donors increasingly disinterested in culture.

By Melissa Cowley Wolf, Dec 8, 2020

Op-Ed

‘Self-Taught’ Black Artists Are Often the Last to Benefit When Their Prices Go Up. But We Can Change That—Here’s How

The president of the Souls Grown Deep Foundation and Community Partnership makes a case for resale royalties regardless of government action.

By Maxwell Anderson, Nov 25, 2020

Op-Ed

Looking to Buy a Masterpiece? You Might Want to Be Extra Careful With These 20 Forger-Friendly Bodies of Work by Famous Artists

From overstuffed Cornell boxes to unusually colorful Joan Mitchells, here are the danger zones in your favorite artists' oeuvres.

By Richard Polsky, Nov 24, 2020

Op-Ed

I Led the Indianapolis Museum of Art for Five Years. Here’s How Charles Venable, Its Recently Ousted President, Failed the Institution

Op-Ed

How Can I Tell If My Keith Haring Is Fake? Here Are Five Tell-Tale Clues, According to an Expert

Op-Ed

Here’s Why I Believe Lockdown Has Pushed the Art World Out of Its Comfort Zone—and on a Path to a More Equitable Future

Op-Ed

Opinion: With Light at the End of the Tunnel, Art Fairs Are a Risk Not Worth Taking Before Vaccinations Are Widespread

Op-Ed

The Capitol Rioter Dressed Up as a Native American Is Part of a Long Cultural History of ‘Playing Indian.’ We Ignore It at Our Peril

Op-Ed

I’m a Ten-Percent Activist. Here’s How You Can Join Me to Push the Art Industry Toward Shared Sustainability Goals

Op-Ed

The Commercial Art World Rarely Offers Paid Internships. That’s Not Just Poor Ethics—It’s Also Bad Business

Op-Ed

How Did the Benin Bronzes Come to Europe? Here’s How Colonial Powers Raced to Loot Them Amid a Program of Imperial Destruction

Op-Ed

What International Audiences Must Understand About the Conflict Between Armenia and Azerbaijan—and the Cultural Heritage That’s at Stake

Op-Ed

Arts Funding Is Facing an Existential Crisis. To Survive, Cultural Organizations Must Change How They Frame Themselves to the Public

Op-Ed

‘Self-Taught’ Black Artists Are Often the Last to Benefit When Their Prices Go Up. But We Can Change That—Here’s How

Op-Ed

Looking to Buy a Masterpiece? You Might Want to Be Extra Careful With These 20 Forger-Friendly Bodies of Work by Famous Artists

Op-Ed

Public Schools Are in Crisis. Museums Can Help Fill the Gap—But Only If They Survive

Op-Ed

We Transformed Our Museum Into a Polling Place. Here’s Why We Did It—and How It Will Shape What We Do in the Future

Op-Ed

Life in the Tiny Texas Town of Marfa Before the Pandemic Was Hard Enough. Here’s What It’s Like Now

I Led the Indianapolis Museum of Art for Five Years. Here’s How Charles Venable, Its Recently Ousted President, Failed the Institution

How Can I Tell If My Keith Haring Is Fake? Here Are Five Tell-Tale Clues, According to an Expert

Here’s Why I Believe Lockdown Has Pushed the Art World Out of Its Comfort Zone—and on a Path to a More Equitable Future

Opinion: With Light at the End of the Tunnel, Art Fairs Are a Risk Not Worth Taking Before Vaccinations Are Widespread

The Capitol Rioter Dressed Up as a Native American Is Part of a Long Cultural History of ‘Playing Indian.’ We Ignore It at Our Peril

I’m a Ten-Percent Activist. Here’s How You Can Join Me to Push the Art Industry Toward Shared Sustainability Goals

The Commercial Art World Rarely Offers Paid Internships. That’s Not Just Poor Ethics—It’s Also Bad Business

How Did the Benin Bronzes Come to Europe? Here’s How Colonial Powers Raced to Loot Them Amid a Program of Imperial Destruction

What International Audiences Must Understand About the Conflict Between Armenia and Azerbaijan—and the Cultural Heritage That’s at Stake

Arts Funding Is Facing an Existential Crisis. To Survive, Cultural Organizations Must Change How They Frame Themselves to the Public

‘Self-Taught’ Black Artists Are Often the Last to Benefit When Their Prices Go Up. But We Can Change That—Here’s How

Looking to Buy a Masterpiece? You Might Want to Be Extra Careful With These 20 Forger-Friendly Bodies of Work by Famous Artists

Public Schools Are in Crisis. Museums Can Help Fill the Gap—But Only If They Survive

We Transformed Our Museum Into a Polling Place. Here’s Why We Did It—and How It Will Shape What We Do in the Future

Life in the Tiny Texas Town of Marfa Before the Pandemic Was Hard Enough. Here’s What It’s Like Now

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