The Art Angle Podcast: Why Leonardo da Vinci at the Louvre Matters

In the second episode of our new podcast, associate editor Naomi Rea breaks down the Louvre's Leonardo blockbuster with Andrew Goldstein.

Leonardo da Vinci, Mona Lisa (1503–1517). Courtesy of the Louvre, via Wikipedia Commons.
Leonardo da Vinci, Mona Lisa (1503–1517). Courtesy of the Louvre, via Wikipedia Commons.

Welcome to the Art Angle, a podcast from Artnet News that delves into the places where the art world meets the real world, bringing each week’s biggest story down to earth. After this week, join us each Tuesday for an in-depth look at what matters most in museums, the art market, and much more with input from our own writers and editors as well as artists, curators, and other top experts in the field.

To mark the 500th anniversary of Leonardo da Vinci’s death, the Louvre pulled out all the stops to present a blockbuster exhibition of some of the Old Master’s greatest works, along with a few technological surprises to help viewers see his contributions in a whole new way. But do these moves manage to contextualize Leonardo in our contemporary moment? And what role is—or isn’t—played by Salvator Mundi, the painting sold at Christie’s for a record-annihilating $450.3 million before disappearing from view for almost two years?

Fresh off a press preview of the show, associate editor Naomi Rea phones host Andrew Goldstein to discuss the masterpieces on view, the Louvre’s attempt to take Leonardo into virtual reality, and the seemingly never-ending intrigue around Salvator Mundi.

Listen below and subscribe to The Art Angle on Apple PodcastsSpotify, or SoundCloud.

 

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