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11 December 2024
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Hili Perlson
Contributor
Latest from Hili Perlson
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Art & Exhibitions
Artist Candice Breitz Called Out a Düsseldorf Museum for Its Male-Dominated Show. More Than 1,000 People Agreed With Her
by
Hili Perlson
Reviews
Biennials Have Been Accused of Being Too Unwieldy—So the Busan Biennial Hired an Editor Instead of a Curator
by
Hili Perlson
Art & Exhibitions
The Gwangju Biennale Is Overly Ambitious, Muddled, Difficult to Navigate—and, at Times, Extremely Rewarding
by
Hili Perlson
On View
What Happens When an Exhibition Has 11 Curators? Here’s a First Look at the Gwangju Biennale, Asia’s Largest Contemporary Art Biennial
by
Hili Perlson
Art & Exhibitions
5 Artists You Must Not Miss at the 10th Berlin Biennale
by
Hili Perlson
Art & Exhibitions
Under a Visionary Curator, Munich’s Public Art Festival Offers Soccer, Ceremony, and Black Sites
by
Hili Perlson
Art World
There’s Something About Berlin Gallery Weekend—Even If Some Dealers Feel Left Out in the Cold
by
Hili Perlson
Art World
Germany Picks Hungarian Curator Franciska Zólyom to Oversee Its Venice Biennale Pavilion
by
Hili Perlson
Art World
Art Thieves Target Markus Lüpertz—Again—in a Brazen Robbery
by
Hili Perlson
Art World
Did Paris Overpay $103 Million for the Building That Will House François Pinault’s Art?
by
Hili Perlson
Politics
Austria’s Far Right Adopts the Motto of Vienna’s Artistic Avant-Garde—and They’re Not at All Pleased
by
Hili Perlson
Art World
China and the Vatican Aim to Heal a Six-Decade-Long Diplomatic Rift With Two ‘Harmonious’ Art Exhibitions
by
Hili Perlson
Art World
Adam Szymczyk Pushes Back Against documenta’s Financial Audit, Accusing the Board of ‘Fabricating’ a ‘Controlled Scandal’
by
Hili Perlson
Art & Exhibitions
Malick Sidibé’s Paris Survey Is an Electrifying Portrait of Mali in the Swinging Sixties
by
Hili Perlson
Art World
Some Russian Avant-Garde Masterworks In European Museums Are Found to Be Forgeries
by
Hili Perlson
&
Henri Neuendorf
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