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21 November 2024
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About
Hili Perlson
Contributor
Latest from Hili Perlson
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Art World
The Work of Cornelia Gurlitt, Forgotten in Her Brother’s Tainted Trove, Finally Goes on View
by
Hili Perlson
Art Fairs
Sigmar Polke’s Photographic Works Make a Rare Appearance at Paris Photo
by
Hili Perlson
On View
Hildebrand Gurlitt Built a Brilliant Trove of Art Under the Nazis. Two New Exhibitions Show His Taste, and His Duplicity.
by
Hili Perlson
Art World
Artist Chiharu Shiota Explains Why She Turned the Bible Into a Spidery Maelstrom in Berlin’s Oldest Church
by
Hili Perlson
Art World
‘He Could See the 21st Century Coming:’ Why Georges Perec Is the Art World’s New Favorite Author (Again)
by
Hili Perlson
Art World
Beatrix Ruf Resigns From Amsterdam’s Stedelijk Museum After Accusations of Conflict of Interest
by
Hili Perlson
People
Gerhard Richter and Two Other Lucky Artists Make the List of Germany’s Richest People
by
Hili Perlson
Art World
documenta 14 Employees Carried Bags of Cash to Athens and Other Irregularities From the Startling Auditor’s Report
by
Hili Perlson
Politics
‘The Rise of the AfD Is a Terrible Nightmare’: The Art World Reacts to Germany’s Alarming Election Results
by
Hili Perlson
Art World
Gerhard Richter Wants to Give the City of Münster a New Site-Specific Artwork
by
Hili Perlson
Art World
Hito Steyerl and Other Artists Protest Arms Manufacturer’s Sponsorship of Landmark German Art Show in China
by
Hili Perlson
Reviews
For a Politically Fraught Istanbul Biennial, Elmgreen & Dragset Rely on Metaphor to Sidestep Direct Confrontation
by
Hili Perlson
On View
Why Artist Simon Fujiwara Rebuilt Anne Frank’s House Inside an Israeli Gallery
by
Hili Perlson
Art World
As Istanbul Galleries Face Manifold Challenges, Dealers Band Together to Create a New Art Enclave
by
Hili Perlson
Reviews
Peak Oil, Eco-Futurism, and Cyborg Philosopher Donna Haraway Inspire Norway’s LIAF 2017 Biennial
by
Hili Perlson
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