‘I Don’t Mind Being Repulsive’: Swiss Painter Louise Bonnet on the Lure of Ugliness and How Horror Films Inspire Her Work

Pac Pobric

Managing Editor

Latest from Pac Pobric

‘I Don’t Mind Being Repulsive’: Swiss Painter Louise Bonnet on the Lure of Ugliness and How Horror Films Inspire Her Work

New Conservation Research Suggests That Mondrian’s Groundbreaking Move From Figuration to Abstraction Was Not What We Once Thought

American Artist Ron Gorchov, Who Rejected Trends to Forge His Own Path Through Painting, Has Died at 90

What Can Medical Students Learn From Art History? The University of Virginia’s New Course Reveals How Art Shaped Our Understanding of Plagues

‘How We Perceive the Past Has a Great Bearing on How We Live Now’: Art Historian James Meyer on Why the 1960s Won’t Fade Away

‘Everything That Could Go Wrong, Did Go Wrong’: George Condo on the Difficult Path to His Most Personal Exhibition to Date

Douglas Crimp, the ‘Pictures’ Curator Who Defined a Generation of Innovative Artists, Has Died at Age 74

‘This Culture Has Ballooned Into a Phenomenon’: Street Art Expert Roger Gastman on How the Outlaw Medium Became Big Business

Art & Exhibitions

The Whitney Biennial Is Getting Younger and More US-Born as Time Goes By, Our Analysis of the Data Shows

by Pac Pobric & Caroline Goldstein

The 6 Best Works at Frieze New York, From a $12,000 Mermaid Stuck in a Washing Machine to a Depiction of Black Gymnasts at Work

Events and Parties

Yve-Alain Bois, Esteemed Art Historian and ‘October’ Editor, Will Deliver the 2020 Mellon Lectures at the National Gallery of Art

Novelist Karl Ove Knausgaard Spent Too Much Money on a Munch Artwork at Auction and Now He’s Filled With Shame: A Q&A

‘I Was So Afraid for Way Too Long’: Painter Jonas Wood on How Going It Alone Helped Him Survive His Immense Market Success

In a Major Move, the Tate Announces It Will No Longer Accept Funding From the Sackler Family

Matthew Barney’s First New Show in Years Suggests a Shocking Twist for the Iconoclastic Artist: He’s Becoming Conventional