Reviews Inside Björk’s Moving Virtual Reality Exhibition in London Can Björk redeem herself after the MoMA flop? We think so. By Lorena Muñoz-Alonso, Sep 1, 2016
Reviews Can Maja Hoffmann’s Luma Foundation Breathe New Life into Arles? A new Frank Gehry tower is looming over the city. By Hili Perlson, Aug 31, 2016
Reviews Fame-Obsessed ‘Forty’ at MoMA PS1 Shows an Alternative Art Scene That No Longer Exists The original alternative spaces movement captured the era’s raw-nerved energy. By Ben Davis, Aug 22, 2016
Reviews Startling Public Installation Critiques Britain’s Imperial History Much like Boris Johnson’s entire career, this enterprise is not the jolly jape it appears on the surface. By Hettie Judah, Aug 17, 2016
Reviews From Auschwitz Drawings to Teddy Bears, ‘The Keeper’ Studies the Desire to Preserve The impulse isn't just about amassing material possessions. By Brian Boucher, Aug 12, 2016
Reviews On Samos, Greece, a Show Takes an Intimate Look at the Refugee Crisis Can art help to convey the bigger context of the crisis? By Hili Perlson, Aug 12, 2016
Reviews Will Virtual Reality Art Destroy Visual Art? Though he had fun, our critic is a little concerned. By Ben Davis, Aug 2, 2016
Reviews What Not to Miss at The 2016 Edinburgh Art Festival Some sites are made accessible to the public for the first times in years. By Hettie Judah, Jul 29, 2016
Reviews Dreaming and Anti-Art: How Brian Belott Rocked London’s Serpentine Pavilion Towards the end, Belott actually lit his hair on fire. By Naomi Rea, Jul 27, 2016
Reviews Hidden Histories Come to the Fore in this Poignant Exhibition of Contemporary Polish Art 'Common Affairs' revisits 13 years of the VIEWS award, Poland's first privately-funded art prize. By Alyssa Buffenstein, Jul 26, 2016
Reviews Camille Henrot Celebrates Alienation on Stromboli for Fiorucci Art Trust’s Extravaganza The week's program focused on the island's dramatic side. By Hili Perlson, Jul 25, 2016
Reviews At Barbara Weiss, The Hellstrom Chronicle Pits Man Against Nature The group show is inspired by a 1971 dystopian pseudo-documentary. By Alyssa Buffenstein, Jul 20, 2016
Reviews Piers Secunda Unleashes the Horrors of War at the Duke House The work is defaced by casts of ISIS bullet-holes. By Anthony Haden-Guest, Jul 13, 2016
Reviews Liverpool Biennial 2016 Hits the Spot Between Eccentric and Politically Engaged Freewheeling performances and sophisticated moving image works lead the pack. By Lorena Muñoz-Alonso, Jul 12, 2016
Reviews Goshka Macuga Imagines The End of Man… And It’s Glorious Featuring an entire history of science and a handsome bearded humanoid. By Hili Perlson, Jul 12, 2016