Opinion Jim Campbell on the Women’s March THE DAILY PIC: At Bryce Wolkowitz, Jim Campbell's digital art turns pink pussy ears into pixels. By Blake Gopnik, May 8, 2017
Opinion The Gray Market: Why Art Will Never Be as Popular as Music (and Other Insights) This week, our columnist examines—and debunks—three dubious solutions to long-running problems in the art industry. By Tim Schneider, May 8, 2017
Opinion Lygia Clark’s Abstractions Have Dada Daring THE DAILY PIC: At Luhring Augustine, Lygia Clark's mid-century abstractions have roots in much earlier radicalism. By Blake Gopnik, May 5, 2017
Opinion Robert Longo’s Enormous Drawings of Enormity THE DAILY PIC: At Metro Pictures, Longo's huge new drawings give weighty subjects a monumental heft. By Blake Gopnik, May 4, 2017
Opinion Frédéric Bazille: Impressionist Painter of Light, Air—and Bromance THE DAILY PIC: In his National Gallery survey, Bazille comes off as a lesser Impressionist who explored the movement's camaraderie. By Blake Gopnik, May 3, 2017
Opinion Siebren Versteeg Turns His Computer Into Painting’s Terminator THE DAILY PIC: At Bitforms, Versteeg's software makes paintings as good—or bad—as the ones the art world loves. By Blake Gopnik, May 2, 2017
Opinion Louise Lawler’s Caustic Eye Gives a True View of the Art World THE DAILY PIC: The Lawler retrospective at MoMA reveals how art gets distorted by money and power. By Blake Gopnik, May 1, 2017
Opinion Andy Warhol, Caught in the Act of Going Dada THE DAILY PIC: A photo from Larry Fink's new Warhol book gets ID'd—it shows the Popster performing in Tristan Tzara's 'Gas Heart.' By Blake Gopnik, Apr 21, 2017
Opinion Marisa Merz Knits Her Way to Gender Equity THE DAILY PIC: At the Metropolitan Museum, Merz has the courage to risk being labelled "feminine." By Blake Gopnik, Apr 20, 2017
Opinion Lygia Pape and Frank Stella: Separated at Birth? THE DAILY PIC: The Metropolitan Museum's Pape survey shows striking similarities between some of her Brazilian works and later ones from the U.S. By Blake Gopnik, Apr 19, 2017
Opinion Marsden Hartley Gets at Modernism’s Stony Heart THE DAILY PIC: In 'Marsden Hartley's Maine' at the Metropolitan Museum, modernist rigor is surrounded by romance. By Blake Gopnik, Apr 18, 2017
Opinion Michael Rouillard Scribbles His Way to the Monochrome THE DAILY PIC: At Pablo's Birthday Gallery, Rouillard crosses out emptiness. By Blake Gopnik, Apr 17, 2017
Opinion Eija-Liisa Ahtila Makes Art With the Attention Span of a Bird THE DAILY PIC: At Marian Goodman, Eija-Liisa Ahtila gets us to look at the world through animal eyes. By Blake Gopnik, Apr 14, 2017
Opinion Grace Hartigan Kills Off an AbEx Cliché THE DAILY PIC: At the Whitney, Hartigan's 'Brides' proves that abstraction wasn't the only game in town in 1950s New York. By Blake Gopnik, Apr 13, 2017
Opinion Egon Schiele’s ‘Baby’ Is Kept at Arm’s Length THE DAILY PIC: At Galerie St. Etienne, Egon Schiele seems to keep his distance from the child he's drawing. By Blake Gopnik, Apr 12, 2017
