Notre Dame’s Reopening Is Delayed, But a New Show About the Reconstruction Has Opened in a Space Beneath the Cathedral
The free exhibition features charred timbers from the cathedral's fallen roof, as well as artworks from inside the church.
Paris’s Notre Dame Cathedral is on track to reopen to worshippers and tourists in 2024—but not in time for that year’s Summer Olympics, as originally hoped.
That goal was always ambitious, and became even more so after pandemic lockdown restrictions meant work ground to a halt for much of 2020. (Concerns about lead pollution also slowed work.) It took two years just to stabilize and reinforce the structure—which was at risk of collapse—before reconstruction could begin in earnest.
“My job is to be ready to open this cathedral in 2024. And we will do it,” Jean-Louis Georgelin, who is overseeing the reconstruction efforts, told the Associated Press. “We are fighting every day for that and we are on a good path.”
Now, it seems that travelers planning to attend next year’s Olympics will have to make a return visit if they wish to enter the famed church. (And even after Notre Dame reopens in late 2024, work on the site is expected to continue into 2025.)
But while the church remains closed, today marks the opening of the new exhibition “Notre-Dame de Paris: At the Heart of the Construction Site,” staged in an underground space outside the cathedral.
The attraction is free of charge, unless visitors want to purchase a ticket for a virtual reality show on the history of Notre Dame.
The rest of the show gives viewers a glimpse into the ongoing work to reopen the cathedral. Some displays illustrate the devastating effects of the fire, such as a display of charred roof timbers and led ornaments melted by the intense heat of the blaze. The exhibition also celebrates the expertise and skills of workers bringing the church back to life, providing details about how the restoration is being carried out.
Stained glass windows and other artworks from the cathedral are on view alongside a scale model of Notre Dame, as well as part of the church’s massive pipe organ. The instrument needed to be disassembled and cleaned; putting the 8,000 pipes back together is expected to take a full year.
As reconstruction work continues, French officials also anticipate beginning to rebuild the church’s rooftop spire, which collapsed during the blaze, later this year.
“The return of the spire in Paris’s sky will in my opinion be the symbol that we are winning the battle of Notre Dame,” Georgelin said.
Following the fire, the question of how to rebuild the spire became the subject of a spirited debate. The spire as it stood before the blaze was the work of architect Eugène Viollet-le-Duc, who oversaw an 1844 restoration at Notre Dame, and created many of the well-known sculptural details on the 13th-century cathedral’s exterior, including gargoyles that serve as drain pipes and decorative grotesques.
Initially, Macron had proposed an international competition to redesign the 315-foot-tall spire with “a contemporary architectural gesture.” The idea sparked some intriguing ideas, but also controversial, and ultimately scrapped.
A team of 1,000 people are currently at work on the cathedral, using period-appropriate materials and techniques to faithfully rebuild the structure. That includes a stone vaulted ceiling—not modern-day concrete—and the wooden timbers of “The Forest,” as the attic is known, which is being reconstructed from 1,000 150-year-old trees.
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