What the Gallery Says: “In this haunting photographic essay, Jean-Louis has created paper sculptures styled to mimic garments worn by female European nobility between the 15th–19th centuries. The series speaks to the shocking treatment of Blacks throughout history and the trauma inflicted on their bodies as juxtaposed with the abstract idea of Black freedom. Simultaneously, it engages with a vision of the future—one of hope, strength, resilience, and beauty.”
Why It’s Worth a Look: Haiti-born and Brooklyn-based, Jean-Louis has created a body of work lovely in both form and conception—stylish, righteous, and multi-layered.