Something Very Interesting Is Happening Over at Damien Hirst’s Instagram
Hirst is looking for a more direct connection with his fans.
Notice something different about Damien Hirst’s Instagram feed lately?
The @damienhirst account used to be pretty obviously manned by staff. Which makes some sense: Hirst, one of the richest visual artists of all time, probably doesn’t have time to update us on the contents of his breakfast bowl.
About a week ago, however, something changed: The voice became more first-person. The former enfant terrible‘s Instagram feed took on the form of a personal diary, looking back on his career.
The new posts offer a more humble and reflective Hirst, treating his followers to personal insights into his work, as well as behind-the-scenes footage of the making of some of his early art. Images are accompanied by short essays, offering details about inspirations and failures.
Next to a photograph of his first-ever spot painting, for example, he admits, “I was wrong about Minimalism.” Another post, a video showing him working on a 1996 installation, sees him explaining that he was inspired by some ping-pong balls he saw floating on air jets at a fun fair rifle range.
A few of Hirst’s comments are outright self-deprecating, such as this one attached to an image of his 1988 work Boxes, which he compares to “something crap made on a kids’ tv show”:
A spokesperson from Hirst’s company, Science Ltd, confirmed the artist has been more active on his Instagram lately, but was unable to comment on his motivations for the shift.
That said, since Hirst has been busy making a splashy comeback ever since his extravagant Venice show, and his 309,000 Instagram followers hardly matches his global profile in-real-life, we imagine the artist is finally cashing in on the ready-made audience online.
Instagram is taking on an ever-growing role in the art world. Shepard Fairey and Kaws, who both use the medium in a fairly standard way, have each broken the 1 million follower mark.
Other artists using the platform in more unconventional ways range from Nan Goldin, who has embraced the breakdown between the public and the private with her intimate photographs, to Cindy Sherman, who last year began using it to show off some fantastical self-portraits.
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