Opinion John Gerrard, Lord of the Frogs THE DAILY PIC: At Simon Preston, John Gerrard's latest piece asks whether we all just frogs in a space-lab, with God as our NASA. By Blake Gopnik, May 18, 2017
Opinion William Copley’s Truth in Flagvertising THE DAILY PIC: In 'Animal Farm' at the Brant Foundation, William Copley imagines France choosing bottles as its national symbol. By Blake Gopnik, May 17, 2017
Opinion Joe Bradley Reveals Painting’s Superpower THE DAILY PIC: In the Brant foundation's new 'Animal Farm' show, Joe Bradley shows that painting can make do with little. By Blake Gopnik, May 16, 2017
Opinion Anni Albers Deserves Space on the A-List of Art THE DAILY PIC: At the Yale University Art Gallery, Anni Albers's weavings come off as more daring than Josef's paintings. By Blake Gopnik, May 15, 2017
Opinion Lee Friedlander Captured a Moment of Change THE DAILY PIC: Early shots by Friedlander at the Yale University Art Gallery record protests that mattered. By Blake Gopnik, May 12, 2017
Opinion Smash the FBI Building and Stonehenge Will Be Next THE DAILY PIC: Brutalist architecture stands for a past that matters. By Blake Gopnik, May 10, 2017
Opinion It’s War! Kenny Schachter on the Brewing Art-Fair Battle to Control the Supply Chain Things are getting ugly out there, our combat-grizzled columnist reports. By Kenny Schachter, May 9, 2017
Opinion Robert Rauschenberg: Big Feet, Big … Talent THE DAILY PIC: At the Rauschenberg Foundation, an early 'self-portrait' that's nothing but the artist's footprint. By Blake Gopnik, May 9, 2017
Opinion A Series of Rogue Pavilions Wrestles with the Venice Biennale’s National Structure Artists and curators question the Biennale's nation-state design at a time when populist and nationalist politics are on the rise. By Hettie Judah, May 9, 2017
Opinion Champions of Chicano Art Need to Face Reality: A Response to Cheech Marin’s New Art Center Karen Mary Davalos, a professor of Chicano and Latino Studies, explains why the time is now to support Chicano Art. By Karen Mary Davalos, May 8, 2017
Opinion Jim Campbell on the Women’s March THE DAILY PIC: At Bryce Wolkowitz, Jim Campbell's digital art turns pink pussy ears into pixels. By Blake Gopnik, May 8, 2017
Opinion The Gray Market: Why Art Will Never Be as Popular as Music (and Other Insights) This week, our columnist examines—and debunks—three dubious solutions to long-running problems in the art industry. By Tim Schneider, May 8, 2017
Opinion Lygia Clark’s Abstractions Have Dada Daring THE DAILY PIC: At Luhring Augustine, Lygia Clark's mid-century abstractions have roots in much earlier radicalism. By Blake Gopnik, May 5, 2017
Opinion Robert Longo’s Enormous Drawings of Enormity THE DAILY PIC: At Metro Pictures, Longo's huge new drawings give weighty subjects a monumental heft. By Blake Gopnik, May 4, 2017
Opinion Frédéric Bazille: Impressionist Painter of Light, Air—and Bromance THE DAILY PIC: In his National Gallery survey, Bazille comes off as a lesser Impressionist who explored the movement's camaraderie. By Blake Gopnik, May 3, 2017
