Opinion The $14 Million Flip, and What the London Day Sales Foretell for the Near Future artnet News's dauntless columnist ventured to the London auctions to sift for clues among the remainder bins. By Kenny Schachter, Mar 13, 2017
Opinion Gainsborough’s ‘Blue Boy’ Was the World’s Greatest Painting—When It Was the Most Expensive One THE DAILY PIC: The Huntington's gem broke records in 1921, and shot to fame in the U.S. Was that because it billed nouveau-riche as old money? By Blake Gopnik, Mar 13, 2017
Opinion Picasso, Our Greatest Old Master—But Now as Much ‘Old’ as ‘Master’ THE DAILY PIC: At LACMA, a Picasso/Rivera pairing puts Picasso in the lead – of a race we're no longer running. By Blake Gopnik, Mar 10, 2017
Opinion Why Was Frida Kahlo the Star of International Women’s Day? Other women artists deserve a rare moment in the spotlight. By Sarah Cascone, Mar 9, 2017
Opinion Hans Schaüfelein’s Tortured ‘Job’: Picture-Perfect Perseverance THE DAILY PIC: In LACMA's show on Reformation art, Hans Schaüfelein’s 'Job' makes us wonder if pain has always meant the same thing. By Blake Gopnik, Mar 9, 2017
Opinion Sure, the Met Has Mounted Great Shows—So Why Haven’t They Registered? THE DAILY PIC: Thomas Campbell fostered some great exhibitions at the Met—and only a few people noticed. By Blake Gopnik, Mar 8, 2017
Opinion Kenny Schachter Gets Roasted During Armory Week… and Lives to Tell the Tale This time around, the globetrotting columnist barely escaped the art fairs with his scalp intact. By Kenny Schachter, Mar 7, 2017
Opinion At Thomas Campbell’s Met, Numbers Came to Matter More than Art THE DAILY PIC: Rare treasures like Andrea Schiavone's "Venus and Cupid" are why the Met exists—it doesn't matter if they don't draw the crowds. By Blake Gopnik, Mar 7, 2017
Opinion Judith Bernstein Sees a World Screwed-up By Men THE DAILY PIC: At The Box gallery in Los Angeles, Bernstein's "Screw Drawings" show a world poisoned by testosterone. By Blake Gopnik, Mar 6, 2017
Opinion Donald Ian McCaw’s Solution for Preserving Art: Bury It THE DAILY PIC: McCaw crafts a perfect spoof of collecting and the art-storage industry. By Blake Gopnik, Mar 3, 2017
Opinion Jasper Johns Riffs on His Riff on Abstract Expressionism THE DAILY PIC: At Matthew Marks, Johns crafts a messy picture of a tidy picture of mess. By Blake Gopnik, Mar 2, 2017
Opinion Hanne Darboven: Is Art at Its Best When You Can’t Take It In? THE DAILY PIC: In Dia’s Darboven installation, more is never enough. By Blake Gopnik, Mar 1, 2017
Opinion How I Found Sigmar Polke Alive and Well in a German Spa Town In his latest column, Kenny Schachter reflects on a recent encounter with his longtime artistic idol. By Kenny Schachter, Feb 28, 2017
Opinion William Leavitt Connects Nature and Structure at White Columns THE DAILY PIC: In the White Columns Annual, Leavitt draws connections between the built and the grown. By Blake Gopnik, Feb 28, 2017
Opinion Vija Celmins Captures a Sea-Side Moment—and What It Implies About Its Place and Time THE DAILY PIC: Vija Celmins' first solo at Matthew Marks is all about places and the moments when we take them in. By Blake Gopnik, Feb 27, 2017
