Opinion Philip Guston’s Nixon Drawings: Worthy of Goya, and On View for an Extra Two Weeks THE DAILY PIC: At Hauser & Wirth, Guston's brilliant Nixons mix heft and complexity. By Blake Gopnik, Jan 17, 2017
Opinion Byron Kim’s Art of the Bruise THE DAILY PIC: At James Cohan, Kim presents elegant paintings of contusions. By Blake Gopnik, Jan 16, 2017
Opinion Guy Richards Smit Reminds Us of the Coming Death of Art THE DAILY PIC: Smit's new pillows are sure to ruin many an artist's sleep. By Blake Gopnik, Jan 13, 2017
Opinion Kenny Schachter on the Fire That Ravaged His Home and Art A work from a 2004 Kenny Scharf show was destroyed. By Kenny Schachter, Jan 12, 2017
Opinion In Françoise Grossen, A Hint that Macrame Holds the Secret to Post-Sixties Art THE DAILY PIC: At the Museum of Arts and Design, Grossen Unties Art History's Knots By Blake Gopnik, Jan 12, 2017
Opinion Beauford Delaney: Blackness as a Colorful State THE DAILY PIC: At the Studio Museum in Harlem, a portrait by Beauford Delaney reflects a moment when the color bar looked set to be raised. By Blake Gopnik, Jan 11, 2017
Opinion Brian O’Doherty, Love Child of Marcel Duchamp and Clement Greenberg? THE DAILY PIC: At Simone Subal, Brian O'Doherty dresses up Duchampian wit and wiles as attractive abstraction. By Blake Gopnik, Jan 10, 2017
Opinion Max Beckmann Captures the Anxiety of a Broken Culture THE DAILY PIC: We could use a genius like him to channel our current anxiety in this age of dysfunction. By Blake Gopnik, Jan 9, 2017
Opinion Peter Voulkos Made Great Sculpture by Being a Potter THE DAILY PIC: At the Museum of Arts and Design, Voulkos's achievement as a sculptor depends on his roots in craft. By Blake Gopnik, Jan 6, 2017
Opinion Did Valentin de Boulogne Put Man Before God? THE DAILY PIC: At the Metropolitan Museum, Valentin's Biblical scenes come by way of Roman taverns – but which mattered more to him? By Blake Gopnik, Jan 5, 2017
Opinion Francis Picabia—The Most Important Artist You’ve Barely Heard Of THE DAILY PIC: In MoMA's Picabia retrospective, he comes off as stranger and more daring than all the other moderns. By Blake Gopnik, Jan 4, 2017
Opinion Cate Blanchett Turns Manifestos Into Empty Spectacle THE DAILY PIC: At the Park Avenue Armory, Rosefeldt's 'Manifesto' turns screeds into fun scripts for Blanchett. By Blake Gopnik, Jan 3, 2017
Opinion David Ebony’s Top 10 New York Gallery Shows of 2016 David Ebony looks back at his favorite shows of the year. By David Ebony, Dec 23, 2016
Opinion Merry Christmas From Andy Warhol—and His Fans THE DAILY PIC wishes readers the very best of the holiday season, in the best Andy Warhol tradition. By Blake Gopnik, Dec 22, 2016
Opinion Was Russia’s Greatest Revolution the One That Upended Art? THE DAILY PIC: MoMA's holdings in revolutionary Russian art show the birth of both modernism and the postmodern. By Blake Gopnik, Dec 21, 2016
