Art & Exhibitions
From Baselitz to Burning Man: 28 Can’t-Miss Museum Shows to See in the United States This Spring
From New York to Los Angeles, these are the art exhibitions that everyone will be talking about this coming season.
From New York to Los Angeles, these are the art exhibitions that everyone will be talking about this coming season.
Caroline Goldstein & Sarah Cascone ShareShare This Article
To celebrate the beginning of a spring that never seems to arrive, museums across the country are simply blooming with new programs to entice art-goers. From the never-before-seen sculptures of the late Jack Whitten in Baltimore to paintings fresh from the studio, here are the shows you don’t want to miss out on.
The Renwick Gallery in Washington, DC, is awash with the psychedelic, awe-inducing designs culled from the yearly spectacle that takes over Nevada’s Black Rock Desert known as Burning Man. Beyond the mind-expanding music, the festival is a beacon for experimental art and architecture, but most pieces are ritually burned in the spirit of the event, making this exhibition all the more spectacular.
This spring and summer, Mel Chin is taking over New York City. The sprawling multi-disciplinary exhibition will hold more than 70 works produced over his four-decade-long career. The exhibition will address issues ranging from social justice to the environment and will debut four newly commissioned projects with mind-bending works of Mixed Reality in Times Square.
The sense-stimulating immersive installations in “You Are Here” feature works that range from the inexplicable to the disconcerting. Highlights include projects by Sam Falls and OMAi/Markus Dorninger to be situated in the Museum’s outdoor park. And what an immersive exhibition without Kusama? The recently acquired Light of Life infinity room will be unveiled to the public. As an added bonus, the museum has partnered with Durham’s Fullsteam Brewery to release limited-edition IPA’s to enhance the immersive experience.
The never before seen sculptures created by the acclaimed artist Jack Whitten will be unveiled, at long last in Baltimore, before traveling to the Met in September. Though known for his paintings, the exhibit will focus on 40 sculptures that bear resemblance to African, Minoan, and Cycladian works—and for the first time ever, Whitten’s Black Monoliths series will be displayed in conjunction with his sculptural works.
Jason Moran’s work straddles visual and performance art practices, and he is fully devoted to the central tenets of jazz—collaboration and improvisation. Moran’s sculptural “set pieces” are odes to music venues of yore, and throughout the show’s run visitors will be treated to complementary musical performances.
The Canadian-born artist Dorothea Rockburne spent formative years training at the Black Mountain College in North Carolina—there she developed a practice that combines mathematics and art. In Rockburne’s paintings, what appear to be almost monochromatic canvases are in fact comprised of complex algorithms and subtle gradation.
The Armenian-Egyptian artist Anna Boghiguian has her first solo museum show this spring, where her colorful cut-out figures march across the galleries in the spirit of folk-theater sets.
In an exhibition of 32 still-life paintings by Chaim Soutine, none of the tableaux are still at all. The tableaux of meat and fruit, and even the tablecloth are dynamic, roiling swaths of paint. Soutine’s childhood in a conservative Jewish home often revolved around preparing kosher food, and the emotional resonance of those rituals emerge in his paintings.
The third installment of the Guggenheim’s lofty Chinese Art Initiative will feature new commissions by contemporary Asian artists Cao Fei, Duan Jianyu, Lin Yilin, Wong Ping, and Samson Young. The four artists in this show use innovative practices to explore technology’s impact on our reality, at both local and global levels.
This show explores the visual and thematic connections between the painter Pierre-Auguste Renoir, and his son Jean, who briefly made pottery before turning his attention to cinema. Although the focus is on the Renoirs, the show opens a dialogue into the shared aesthetics of painting and cinema on a larger scale.
A survey of over 100 artworks in a variety of media address how contemporary Iranian art is inextricably linked to the country’s tumultuous past. Religious and political ideologies have long dominated the culture, and artists working today use ancient tropes and ideas to spark conversation.
Keogh’s work considers the history of gender and representation, the articulation of personal style, and the construction of artistic identity. Drawing from clothing design, illustration, and interior decoration as much as art history, Keogh’s large-scale canvases dissect elements of representations of femininity with considerable wit, pointing to the underlying conditions of the production of images of women.
The Met’s Costume Institute is expected to pack a punch with this show, juxtaposing the sacred and the profane with a show that has some major star power attached to it, including Rhianna and Amal Clooney.
One of the most buzzed-about shows of the spring is the solo exhibition of Amy Sherald, whose portrait of former first lady Michelle Obama made headlines earlier this year.
The first solo exhibition of Native American artist Jeffrey Gibson will include his vast repertoire: beaded objects, textile-based works, sculptures, and paintings all created from Gibson’s personal experience. The abstracted works are informed by his Choctaw and Cherokee heritage, as well as the formative pop-cultural events that define America.
“The Fifth Season” looks at more than 70 works completed in Magritte’s “late” career after he formally broke ties with the surrealist art movement. The paintings are grouped thematically, and reveal the formal and conceptual shifts in his practice over time.
More than 60 original costumes from the Star Wars universe, delving into the creative process of George Lucas, and how his vision was brought to life. From Queen Amidala to Darth Vader, the specially crafted ensembles that define the films are on display.
A long overdue survey of the artist who spent most of his life in the Democratic Republic of Congo (formerly Zaire); his artistic oeuvre touches on global issues while portraying a distinctly regional perspective.
What is it about the viral ice bucket challenge or a winter morning polar bear plunge that is so appealing? Why are rites of passage so often linked to full-water immersion? And where did the act of hand-clapping as approval come from? Taryn Simon uses a combination of visual and conceptual practices to glean understanding from these ubiquitous moments that most of us don’t give a second thought, with her new installations “Assembled Audience” and “A Cold Hole.”
The biennial art show “Made in LA” is back at the Hammer, and this year the group of participating artists is overwhelmingly female. In keeping with its original mission, to highlight work from within the Los Angeles community, a new batch of home-grown creatives will take the stage.
On the East Coast, art institutions are also recognizing the vast contributions of California-born artists; the Whitney Museum is dedicating a career retrospective to Corse, who is known as a pioneering figure in the West Coast Art and Light movement, while just outside the city Dia:Beacon will also host a selection of Corse’s abstract works, opening in May.
The large-scale installation by Liliana Porter was recently acquired by PAMM and will be unveiled to visitors this summer. The grand display incorporates a series of vignettes, populated by miniature figures and objects engaged in a whole world of detailed interaction.
As an 80th birthday present to the German artist Georg Baselitz, the Hirshhorn is staging the first major US retrospective of his work in more than 20 years. Over the course of his six-decade career, Baselitz has incited controversy and awe in equal measure, and finally, US viewers will see the scope of his range.
Whoever said that painting was dead clearly has not seen the paintings brought together for the newly renamed Frist Art Museum’s survey opening this summer. The works included in this show take a painterly approach to the frenetic, complex, and ultimately colorful state of the world today.
A surprise gift to the Bowdoin College Museum of Art in 2014 sparked this exhibition, finally coming to fruition after years of scholarship. The gift was a camera that belonged to the artist Winslow Homer, and the exhibition explores how Homer’s photography impacted his paintings.
This show takes 1998 as its chronological beginning and uses over 100 works of art across all media to explore the generation who was, literally, raised on the internet. Featured artists include Corey Arcangel, Cao Fei, Ian Cheng, Petra Cortright, Simon Denny, Rachel Maclean, and Amalia Ulman.
This is the first major museum show to juxtapose and contextualize works of art by the 19th-century Pre-Raphaelite Brotherhood, and the work that inspired them, including late medieval and early Renaissance masters such as Fra Angelico, Jan van Eyck, and Hans Memling.