Art Fairs As the Unrest in Hong Kong Intensifies, Dealers Grapple With the Pros and Cons of Attending Art Basel’s Fair in the City Two galleries have withdrawn, while others remain cautiously committed. By Julia Halperin & Naomi Rea & Kate Brown, Oct 7, 2019
Art Fairs Art Dealers at Frieze Masters Are Hustling to Make Sales Despite a Low Supply of High-Quality Works The fair's VIP preview signaled a cautious moment in the art market. By Julia Halperin, Oct 2, 2019
Art World See You at the Fair? Nope! Why the Art World Is Embracing ‘JOMO’—the Joy of Missing Out—in a Big Way From art fairs to auctions to gallery shows, the dramatic upscaling of the art world has begun fostering joy in those people who opt out. By Tim Schneider & Julia Halperin, Oct 1, 2019
Women's Place in the Art World Museums Claim They’re Paying More Attention to Female Artists. That’s an Illusion. Just 11 percent of all museum acquisitions over the past decade have been of work by women, our new investigation finds. By Julia Halperin & Charlotte Burns, Sep 19, 2019
Women's Place in the Art World Case Studies: How Four Museums Are Taking Dramatic Measures to Admit More Women Artists Into the Art Historical Canon We examine how four museums are adopting different strategies to move the needle on the representation of women in art history. By Julia Halperin & Charlotte Burns, Sep 19, 2019
Women's Place in the Art World ‘It’s Not the Quality of the Art That Matters, It’s Discrimination’: Excerpts From Our Interviews on Women’s Place in the Art World We spoke with more than 40 people to get their reactions to our findings and their take on women in the art world. Here are the highlights. By Julia Halperin & Charlotte Burns, Sep 19, 2019
Women's Place in the Art World Methodology: How We Gathered and Analyzed Our Data on Women in the Art World Here's how we gathered and analyzed the data that formed the backbone of our investigation. By Julia Halperin & Charlotte Burns, Sep 19, 2019
Women's Place in the Art World Female Artists Represent Just 2 Percent of the Market. Here’s Why—and How That Can Change The market for work by women doubled over the past decade. But it’s still less than the total sales for Picasso alone. By Julia Halperin & Charlotte Burns, Sep 19, 2019
Politics Warren Kanders Resigns From the Whitney Museum’s Board, Following Months of Protest and a Renewed Artist Boycott The Whitney Museum's vice chairman has stepped down from the board, saying he does "not wish to play a role" in the museum's demise. By Ben Davis & Julia Halperin, Jul 25, 2019
Art World In an Age of Political Division and Dirty Money, Can Museum Boards Ever Be Immaculate? Some Think They Have Found a Solution From coast to coast, museum boards are being asked to answer for the source of their fortunes. What happens next? By Julia Halperin, Jul 17, 2019
Art World Can Arts Organizations Do a Public Good Simply by Investing Their Money Differently? One Foundation Is Trying to Find Out The Souls Grown Deep Foundation is putting its money into socially conscious investments. By Julia Halperin, Jun 19, 2019
People Artist Joe Overstreet, Whose Paintings Jumped Off the Stretcher and Into the Gallery Space, Has Died at 85 Overstreet supported under-recognized artists while tapping into a variety of major postwar American art movements. By Julia Halperin, Jun 5, 2019
Politics Artists Wanted an Experimental New Spire for Notre Dame. The French Senate Has Now Made Sure That Will Never Happen The Senate has stipulated that the fire-ravaged cathedral must be restored "exactly as it was." By Julia Halperin, May 28, 2019
Art World Arthur Jafa and the Lithuanian Pavilion Win the Venice Biennale’s 2019 Golden Lions, Casting a Spotlight on Racism and Climate Change An international jury has officially named the best in show. By Julia Halperin, May 11, 2019
On View It’s Hard to Make Good Art About Climate Change. The Lithuanian Pavilion at the Venice Biennale Is a Powerful Exception The pavilion presents a subtly unnerving performance about the laziness that leads to the end of the world. By Julia Halperin, May 10, 2019
