207479 Naomi Rea April 14, 2021 ShareShare This Article Hermann Hendrich, The Will o’ the Wisp and the Snake (1823). Naomi Rea Editor-in-Chief The best of Artnet News in your inbox. Sign up for our daily newsletter. The best of Artnet News in your inbox. Sign up for our daily newsletter. Please enter a valid email address Signup failed. Please try again later. Thank you! You have successfully subscribed to Artnet News. The best of Artnet News in your inbox. Sign up for our daily newsletter. Please enter a valid email address Signup failed. Please try again later. Thank you! You have successfully subscribed to Artnet News. More Trending Stories Art & Exhibitions Egypt’s Pyramids of Giza Are the Breathtaking Backdrop for a New Contemporary Art Installation Art & Exhibitions Artist Mary Sully’s Body of Work Sat Hidden for Decades. A New Met Show Finally Brings It to Light Art World Readers Weigh In on Which Artworks Give Them Chills Art World An Idyllic ‘Creative Compound’ in Upstate New York Has Hit the Market for $4.25 Million—Alas, the Art Is Not Included Art & Exhibitions Egypt’s Pyramids of Giza Are the Breathtaking Backdrop for a New Contemporary Art Installation Art & Exhibitions Artist Mary Sully’s Body of Work Sat Hidden for Decades. A New Met Show Finally Brings It to Light Art World Readers Weigh In on Which Artworks Give Them Chills Art World An Idyllic ‘Creative Compound’ in Upstate New York Has Hit the Market for $4.25 Million—Alas, the Art Is Not Included
On View 9 Gallery Shows to See Now in London, From a Spotlight on Young French Painters to Rachel Whiteread at Gagosian By Naomi Rea, Apr 14, 2021
Opinion The Gray Market: Why the New York Art Market Could Be Reshaped by the State’s Progressive New Budget (and Other Insights) By Tim Schneider, Apr 13, 2021