Wet Paint Wet Paint in the Wild: Fort Gansevoort’s Adam Shopkorn Travels to the Canadian Arctic for One Very Chilly Studio Visit The owner of Fort Gansevoort gallery shows us a week in his life. By Annie Armstrong, Nov 10, 2022
The Gray Market What the Rising Tide of Art Vandalism Tells Us About Where We Are Headed as a Culture Our columnist connects the targeting of artworks in museums, on television, and in the art market to the troubling trajectory of culture at large. By Tim Schneider, Nov 8, 2022
The Art Detective The Rumor That LVMH Is Buying Gagosian Just Won’t Die. There May Be Something to It—But Not What You Think People inquiring about whether the world's largest art gallery is for sale may be asking the wrong question. By Katya Kazakina, Nov 4, 2022
Wet Paint The Skinny on Anna Weyant’s Primary Market Prices, Art Job Salaries Laid Bare, and More Juicy Art World Gossip Plus, which galleries piqued Michelle Obama's interest last week? And who got a proposal at the Crystal Bridges Museum of Art? By Annie Armstrong, Nov 4, 2022
Wet Paint Wet Paint in the Wild: Ursula Von Rydingsvard Plays With Chainsaws and Sees Her Sculptures Transformed Into Cookies The octogenarian sharpens her blades as she prepares for an exhibition at Galerie Lelong & Co. By Annie Armstrong, Nov 3, 2022
The Gray Market How the Art and Music Industries Have Begun to Value Young Talent Differently—and Why It Matters Our columnist investigates why fine art and pop music seem to have been taking opposite approaches to new talent since 2019. By Tim Schneider, Nov 1, 2022
The Art Detective Paul Allen’s Collection Is the Most Expensive Ever to Come to Auction—But There’s Even More Where That Came From The late Microsoft cofounder's art collection is poised to bring in more than $1 billion—but there's at least $500 million worth leftover. By Katya Kazakina, Oct 28, 2022
Wet Paint Wet Paint in the Wild: Artist Jeanette Hayes Takes Us on a Psychedelic Romp Through Paris Just look at how the artist ran with the prompt! By Annie Armstrong, Oct 27, 2022
The Gray Market What Galleries Can Learn About Poaching Artists From Soccer Star Neymar’s Transfer Deal Gone Wrong Our columnist kicks up art-market lessons from the curious case of soccer superstar Neymar's fraud and corruption trial. By Tim Schneider, Oct 25, 2022
Wet Paint Revealing the Ascendant Artist Tapped for the Rubell’s Coveted Residency, a Shoe Fight at Frieze Seoul, and More Juicy Art-World Gossip Plus, who was the most famous face spotted roaming the aisles at Paris+? And which other French fair is regretting skimping on the climate control? By Annie Armstrong, Oct 24, 2022
The Hammer Simon de Pury on the Rumors Swirling Around the Mega-Galleries in the Aisles of Frieze London and Paris+ The veteran auctioneer gathered intel from the art industry’s traveling circus. By Simon de Pury, Oct 24, 2022
The Art Detective Sculptor Carol Bove Is in High Demand, Now With a Show at Zwirner’s New Gallery in Paris. So Why Aren’t Her Auction Prices Keeping Up? “She’s one of the most significant and interesting sculptors working today,” says Catherine Craft, who curated Bove's show at the Nasher. By Katya Kazakina, Oct 21, 2022
Wet Paint Wet Paint in the Wild: Pace’s Kimberly Drew Celebrates Black Womanhood—and Takes a Breather—at Simone Leigh’s Venice Retreat We handed over the camera to the Pace associate director. By Annie Armstrong, Oct 19, 2022
The Gray Market How to Avoid the Worst Traps of the A.I.-Assisted Artwork Debate Our columnist consults with two visionary artists on the hottest topic in art and tech: what is the future of A.I.-assisted artwork? By Tim Schneider, Oct 18, 2022
Wet Paint A Glamorous Night Out in London With Hannah Traore, the Skinny on LVMH and Gagosian, and More Juicy Art World Gossip Plus, which disgraced art dealer was absent from Frieze London? And who is hiring a combination gallery assistant-babysitter? By Annie Armstrong, Oct 14, 2022
