Vandals Destroy Documenta Artwork by Jimmie Durham
Will vandalism cast a shadow on Documenta's 60th anniversary next week?
In 2011, Durham and Documenta 13 director Carolyn Christov-Bakargiev planted a Corbinian apple tree in the city’s Karlsaue park. The rare Corbinian apple strain was bred by a prisoner in the Dachau concentration camp as a seed of life, which eventually survived the Nazi oppression.
According to Art Magazin, the Musuem Hessen Kassel (MHK) said a gardener discovered the damage and reported that the artwork had been “extensively destroyed.” The tree was reportedly found completely uprooted with all its branches broken off.
The damaged artwork is set to be replaced with an identical tree in the fall.
Whether the vandalism was an explicit expression against the art festival remains open to speculation, according to Documenta spokeswoman Henriette Gallus.
However, the ferocity and meticulousness of the tree’s destruction is an indication that the perpetrators were trying to make a point in association with the artwork.
Art Magazin reports, however, that police have ruled out the vandalism as an anti-Semitic attack, and are investigating the incident as an act of criminal damage.
On Wednesday it emerged that a second artwork in Kassel was vandalized. An outdoor artwork by Swiss artist Heini Gut, installed on a platform leading to the train station’s south wing, was damaged by unknown perpetrators.
The work was part of the show Werk / Kunst / Werk by the union of the metal and electro businesses on occasion of their 125 year anniversary.
The frame of the steel-and-wood floor sculpture was bent, and one of the letters comprising the work has been sawed off.
According to local police it’s unclear if the two incidents are linked.
Werk / Kunst / Werk project manager Achim Schnyder announced that all outdoor works at the train station site will remain publicly accessible around the clock. The work will not be repaired, however. “The artwork of Heini Gut will be left in its ruined state in order to document the way our city deals with visual arts,” Schnyder is quoted in the HNA.
Documenta 14 director Adam Szymczyk’s decision to relocate the opening of the festivals’s 2017 edition to Athens and away from Kassel provoked widespread criticism and outrage from Germany’s art scene, who are concerned that the move will compromise Kassel’s national and international appeal as a cultural destination.
Meanwhile, local politicians and businesses fear that relocating the quinquennial will severely damage the small provincial city’s economy.
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