Opinion To Truly Take Ownership of Its Heritage, Africa Needs a New Museum to House Its Returning Cultural Artifacts The Nigerian architect Olajumoke Adenowo argues that building museums will be vital for the future of Africa where 60 percent of the population is under 25. By Olajumoke Adenowo, Jan 10, 2019
Opinion A Month After I Published a Book About How to Run an Art Gallery, I Closed Mine. Here’s Why The co-founder of the gallery yours, mine & ours on the current gallery crisis. By Patton Hindle, Jan 9, 2019
Opinion The Perplexingly Popular Conspiracy Theory That ‘Salvator Mundi’ Is Connected to #Russiagate, Explained Trump, Russia, Saudi Arabia, Christie's, a new shadowy world order... it all adds up! By Ben Davis, Jan 9, 2019
Opinion What Sister Wendy Beckett, the Late Nun and Popular Art Historian, Taught Me About Being a Curator She made me want to study art history. By Carmen Hermo, Jan 7, 2019
Opinion The Gray Market: Why Your Art Collection Isn’t Actually Beating the Stock Market (and Other Insights) Our columnist retrieves what's often lost in art-as-investment talk and weighs in on resistance to the Savoy-Sarr restitution report. By Tim Schneider, Jan 6, 2019
Opinion How Far Can a Mega-Gallery Expand? Kenny Schachter Shares His Predictions for 2019 Writing from the art world's holiday haunt of St. Moritz, our columnist ventures a few thoughts on what the year ahead might bring. By Kenny Schachter, Jan 6, 2019
Opinion Nine Heart-Racing, Highly Specific Predictions for the Art Industry in 2019 What will the coming year hold for would-be regulators, problematic museum trustees, and radical technologies? Our columnist weighs in. By Tim Schneider, Jan 1, 2019
Opinion The Gray Market: 13 Analogies That Helped Make Sense of the Art Business in 2018 (and Other Insights) By Tim Schneider, Dec 30, 2018
Opinion The Gray Market: How My Eight Highly Specific Art-Market Predictions for 2018 Turned Out (and Other Insights) Our columnist strikes a blow for art-market accountability by facing up to his 2018 predictions a year later. By Tim Schneider, Dec 23, 2018
Opinion The Gray Market: How Meow Wolf Shows Artists Can Be as Gaga for Growth as Galleries (and Other Insights) Our columnist on Meow Wolf's mega-gallery-like expansion, a short-circuited Nan Goldin sale, and money's vulnerability to virtue. By Tim Schneider, Dec 16, 2018
Opinion Is the ‘Fairantee’ the Next Guarantee? Kenny Schachter Races Through Art Basel Miami Beach, Trying to Dodge the Feel-Bad Art Our columnist did a lightning-round version of the fair this year, but still managed to encounter friends (and enemies?) in the aisles. By Kenny Schachter, Dec 11, 2018
Opinion The Gray Market: Why the Most Exhausting Aspect of Miami Art Week Is the Most Important to the Market’s Future Our columnist returns from the froth and frenzy of Miami Art Week thinking about spectacle versus sustainability. By Tim Schneider, Dec 9, 2018
Opinion The Gray Market: Why the Hauser & Wirth Institute’s ‘Wholly Independent’ Research Can Still Be a Major Market Play Our columnist considers the potential economic impact of the international mega-gallery's new nonprofit research organization. By Tim Schneider, Dec 2, 2018
Opinion Has the Art Market Reached a Stage of End-Game Nihilism? Kenny Schachter on New York’s $2 Billion Auctions Our columnist explores the underbelly of the six-day feeding frenzy of Impressionist, Modern, and contemporary auctions in New York. By Kenny Schachter, Nov 20, 2018
Opinion The Gray Market: Why a New Study About Finding Art-World Success Doesn’t Mean What You Think It Means (and Other Insights) Our columnist examines how art-market research published in the journal 'Science' may not be as specific to the art world as we think. By Tim Schneider, Nov 18, 2018
