Opinion Robert Rauschenberg: Big Feet, Big … Talent THE DAILY PIC: At the Rauschenberg Foundation, an early 'self-portrait' that's nothing but the artist's footprint. By Blake Gopnik, May 9, 2017
Opinion A Series of Rogue Pavilions Wrestles with the Venice Biennale’s National Structure Artists and curators question the Biennale's nation-state design at a time when populist and nationalist politics are on the rise. By Hettie Judah, May 9, 2017
Opinion Champions of Chicano Art Need to Face Reality: A Response to Cheech Marin’s New Art Center Karen Mary Davalos, a professor of Chicano and Latino Studies, explains why the time is now to support Chicano Art. By Karen Mary Davalos, May 8, 2017
Opinion Jim Campbell on the Women’s March THE DAILY PIC: At Bryce Wolkowitz, Jim Campbell's digital art turns pink pussy ears into pixels. By Blake Gopnik, May 8, 2017
Opinion The Gray Market: Why Art Will Never Be as Popular as Music (and Other Insights) This week, our columnist examines—and debunks—three dubious solutions to long-running problems in the art industry. By Tim Schneider, May 8, 2017
Opinion Lygia Clark’s Abstractions Have Dada Daring THE DAILY PIC: At Luhring Augustine, Lygia Clark's mid-century abstractions have roots in much earlier radicalism. By Blake Gopnik, May 5, 2017
Opinion Robert Longo’s Enormous Drawings of Enormity THE DAILY PIC: At Metro Pictures, Longo's huge new drawings give weighty subjects a monumental heft. By Blake Gopnik, May 4, 2017
Opinion Frédéric Bazille: Impressionist Painter of Light, Air—and Bromance THE DAILY PIC: In his National Gallery survey, Bazille comes off as a lesser Impressionist who explored the movement's camaraderie. By Blake Gopnik, May 3, 2017
Opinion Siebren Versteeg Turns His Computer Into Painting’s Terminator THE DAILY PIC: At Bitforms, Versteeg's software makes paintings as good—or bad—as the ones the art world loves. By Blake Gopnik, May 2, 2017
Opinion Louise Lawler’s Caustic Eye Gives a True View of the Art World THE DAILY PIC: The Lawler retrospective at MoMA reveals how art gets distorted by money and power. By Blake Gopnik, May 1, 2017
Opinion Andy Warhol, Caught in the Act of Going Dada THE DAILY PIC: A photo from Larry Fink's new Warhol book gets ID'd—it shows the Popster performing in Tristan Tzara's 'Gas Heart.' By Blake Gopnik, Apr 21, 2017
Opinion Marisa Merz Knits Her Way to Gender Equity THE DAILY PIC: At the Metropolitan Museum, Merz has the courage to risk being labelled "feminine." By Blake Gopnik, Apr 20, 2017
Opinion Lygia Pape and Frank Stella: Separated at Birth? THE DAILY PIC: The Metropolitan Museum's Pape survey shows striking similarities between some of her Brazilian works and later ones from the U.S. By Blake Gopnik, Apr 19, 2017
Opinion Marsden Hartley Gets at Modernism’s Stony Heart THE DAILY PIC: In 'Marsden Hartley's Maine' at the Metropolitan Museum, modernist rigor is surrounded by romance. By Blake Gopnik, Apr 18, 2017
Opinion Michael Rouillard Scribbles His Way to the Monochrome THE DAILY PIC: At Pablo's Birthday Gallery, Rouillard crosses out emptiness. By Blake Gopnik, Apr 17, 2017
