Opinion There Is a Dystopian Cultural Vision Hidden in Michael Bloomberg’s Multimillion-Dollar Art Shed The half-billion-dollar art center drops a manifesto, making big claims for its mission. By Ben Davis, May 14, 2018
Opinion What Do David Blaine, John Currin, and a Super-Sneaker Have in Common? Kenny Schachter Reports From TEFAF New York Our columnist uses his finely honed eavesdropping abilities to pick up some nice bits of art-world gossip at the week's toniest art fair. By Kenny Schachter, May 9, 2018
Opinion Kenny Schachter Gets Hot and Bothered at the Ironically Titled Frieze New York Our columnist traveled to Randall's Island in search of art—and was nearly scorched to a cinder in the process. By Kenny Schachter, May 8, 2018
Opinion Get Off the High Horse, Jerry Saltz! Kenny Schachter Mounts a Last-Ditch Defense of Art Fairs Art fairs aren't the enemy, our columnist says. In fact, they're our friend! By Kenny Schachter, May 7, 2018
Opinion ‘You Will Be Poor… Accept It’: 11 Pieces of Advice for Struggling Artists From Pulitzer Prize Winner Jerry Saltz The "New York" magazine critic spoke to a full house at Frieze New York. By Caroline Goldstein, May 4, 2018
Opinion The Gray Market: Why Blockbuster Museum Shows Aren’t Actually Solving the Attendance Problem (and Other Insights) Our columnist uses the National Portrait Gallery's upcoming Michael Jackson show to address the false promises of blockbuster exhibitions. By Tim Schneider, Apr 29, 2018
Opinion Kenny Schachter on miart, the Milan Art Fair So Eccentric He Might Just Want to Move In With UK taxes nipping at his heels, our columnist considers a move to the less onerous Italian art capital. By Kenny Schachter, Apr 25, 2018
Opinion Infinity Gems and the Art Gallery: What Ambitious Artists Can Learn From Marvel’s Cinematic Universe Adventure More than you might think! By Ben Davis, Apr 24, 2018
Opinion The Gray Market: Why Renting Art to Your Own Company Can Quickly Become an Ethical Minefield (and Other Insights) Our columnist unpacks unethical collectors' incentives to rent art to their own firms, plus a surprising lesson from the CB1 Gallery scandal. By Tim Schneider, Apr 22, 2018
Opinion Kenny Schachter Gets Overwhelmed at Art Basel Hong Kong—and Almost Gets Punched in the Face, Too In Hong Kong, enemies lurk at parties and art-fair booths alike, our columnist finds. By Kenny Schachter, Apr 4, 2018
Opinion Kenny Schachter Tries (and Fails) to Keep His Mouth Shut at Gallery Weekend Beijing In the heart of the Chinese capital's exciting art scene, where speaking truth to power can mean jail time, our columnist walks the line. By Kenny Schachter, Apr 3, 2018
Opinion The Gray Market: Why We Shouldn’t Be Surprised by Helen Molesworth’s Firing (and Other Insights) Our columnist compares the Helen Molesworth saga to other curator-trustee conflicts, plus addresses a surefire way to spark controversy. By Tim Schneider, Mar 19, 2018
Opinion Has the Great Depression Struck Galleries? Kenny Schachter Ventures Among the Art Hobos at Armory Week With talk of a market crisis in the air, our columnist takes stock of the turmoil to determine if it's any different from the '90s, really. By Kenny Schachter, Mar 14, 2018
Opinion The Gray Market: Why the Most Important Armory Week Trends Were the Disruptive Ones (and Other Insights) Our columnist reports on the problem of spotting Armory Week trends and the old standards that forward-thinking galleries are leaving behind. By Tim Schneider, Mar 11, 2018
Opinion Why MoMA’s Exhibition of Towering Brazilian Modernist Tarsila do Amaral Misses the Mark The museum's overly formalist approach misses out on an opportunity to delve into the politics of Brazilian Modernism. By Sara Roffino, Mar 1, 2018
