Reviews What I’m Looking at: Odd Apparitions at White Columns, Google’s Art Market Hallucination, and Other Things at the Edge of Art Highlights from New York galleries from the last few weeks. By Ben Davis, Aug 10, 2023
Reviews What I’m Looking at: Chryssa’s Electric Tribute to Times Square, the MyPillow Guy’s Office Paintings, and Other Things at the Edge of Art Highlights from New York galleries from the last few weeks. By Ben Davis, Jul 12, 2023
Reviews With Ceremonies and Rituals, the Liverpool Biennial Takes an Unflinching Look at the City’s Participation in the Slave Trade Some 35 artists installed works at arts institutions and former sites connected to Liverpool's troubling colonial past. By Precious Adesina, Jun 22, 2023
Reviews At the Sustainability-Focused Helsinki Biennial, Art, Tech, and the Environment Attempt to Coexist Can art events like biennials ever be truly sustainable? By Jo Lawson-Tancred, Jun 20, 2023
Reviews Art Duo Komar and Melamid Were Laughed Out of the Soviet Union. Are They Having the Last Laugh on Us? What is the lesson of these proto-postmodern artists for us today? By Ben Davis, Jun 6, 2023
Reviews What I’m Looking At: Cavorting Human-Duck Hybrids, a Tribute to a Legendary Alt-Art Magazine, and Other Things at the Edge of Art Highlights from New York galleries from the last few weeks. By Ben Davis, May 5, 2023
Reviews What I’m Looking at: Racy Paper-Cuts From China, a Video-Essay Takedown of Decentraland, and Other Stuff at the Edge of Art Highlights from New York galleries from the last few weeks. By Ben Davis, Apr 4, 2023
Reviews Generative Art Sensation Tyler Hobbs Has Filled His Debut London Show With Old-Fashioned Paintings—Painted by a Robot, That Is See the works on view at Unit London through April 6. By Naomi Rea, Mar 10, 2023
Reviews The U.K.’s Asian-Focused Esea Contemporary Museum Reopens With a More Diversified Staff and Program—But Skepticism Lingers The government-backed art center in Manchester is making a comeback after allegations of racism. By Vivienne Chow, Feb 23, 2023
Reviews The Big-Budget Sharjah Biennial Tackles Postcolonial Fallout With Beauty, Sentimentality, and Nuance The exhibition is a homage to the late curator Okwui Enwezor who began planning it before his untimely death. By Janelle Zara, Feb 23, 2023
Reviews Why It’s Worth Savoring Leonor Fini’s Enchanted Surrealism at Kasmin + Other Things to See and Read Plus, the Mariah Carey "I don't know her" meme as art, and the "New Ugliness" theorized. By Ben Davis, Feb 1, 2023
Reviews An Extremely Intelligent Lava Lamp: Refik Anadol’s A.I. Art Extravaganza at MoMA Is Fun, Just Don’t Think About It Too Hard We need to talk about willful misreading of dystopia in the art-tech conversation. By Ben Davis, Jan 22, 2023
Reviews An African Photography Biennale Makes a Case for Mali as a Creative Hub—But the Global Art World’s Bad Habits May Hold It Back Bonaventure Soh Bejeng Ndikung is artistic director of the 13th edition of Bamako Encounters. By Tobi Onabolu, Jan 17, 2023
Reviews Parallel Art Shows in London and Berlin Conjure Up Political Utopias… Using A.I. and Celebrity Deepfakes "Another World" does not let reality become swallowed up in fiction. Instead, it asks us to observe the line between the two—even as it blurs. By Kristian Vistrup Madsen, Jan 5, 2023
Reviews Two Thumbs Way, Way Down: Here Are 6 of the Worst Artworks We Saw Around the World in 2022 By Artnet News, Dec 26, 2022