Art Industry News: Brazil’s Decolonial Pavilion Takes the Golden Lion at the Venice Architecture Biennale + Other Stories

Plus, a major De Kooning show will be held in Venice and Saudi Arabia is developing two new museums.

Participants of the Brazilian pavilion titled 'Terra [Earth]' pose for a portrait after receiving the Golden Lion for Best Nationa participation during the Award Ceremony at 18th International Architecture Exhibition. Photo by Simone Padovani/Getty Images.

Art Industry News is a daily digest of the most consequential developments coming out of the art world and art market. Here’s what you need to know on this Monday, May 22.

NEED-TO-READ

SCOTUS’s Landmark Warhol Ruling – The Supreme Court’s landmark ruling against Andy Warhol’s series that used Lynn Goldsmith’s image of Prince could have a chilling effect on artists who make “appropriation art,” writes critic Blake Gopnik. Although the ruling appears to narrow the decision to a licensing issue—the Warhol Foundation’s failure to pay a licensing fee for the image in 2016—it may still have a major impact on those who create art in this manner as did not acknowledge the importance of transformative copying. (New York Times)

Impact of Greek Election on Parthenon Marbles – The Greek Prime Minister Kyriakos Mitsotakis has been actively pressing for the return of the Parthenon Marbles and negotiating with the British Museum for months on various possible solutions. But if his New Democracy party fails to win Sunday’s election, it may impact the progress of the discussion with the U.K. institution as the party’s rivals prefer different approaches to the ongoing issue. (New York Times)

Golden Lion for Brazil’s Pavilion – Brazil’s pavilion “Terra” (Earth), curated by Gabriela de Matos and Paulo Tavares, received the top honor of the 18th Venice Architecture Biennale, which dives into decolonization and decarbonization. The Golden Lion for best participant went to architectural studio DAAR, led by artists Alessandro Petti and Sandi Hilal, for its exhibition, “The Laboratory of the Future.” (Monopol)

The Art Market Correction – Several signs observed during the New York auctions and fairs season point to a market that is experiencing a correction if not a full-on slowdown. Industry insiders said the hiking of interest rates and lower demand for housing are among the factors contributing to a “diminished appetite” to buy art. Galleries are facing calls from clients to adjust their pricing amid a fall in auction prices. (The Art Newspaper)

MOVERS & SHAKERS

Italy Denies Entry to Ghanian Curators – Lesley Lokko, the first individual of African descent to curate the 18th Venice Biennale of Architecture, said the entry denial of the three Ghanian curators who are part of her curatorial team was the “ugly rear” of Italian immigration policy. The Italian Ambassador to Ghana, Daniela d’Orlandi, who refused to issue visas to the three curators, said that Lokko was attempting to bring “non-essential young men” to Europe. (The Art Newspaper)

Shortlist for Museum of the Year – The Burrell Collection in Glasgow, London’s Leighton House and Natural History Museum, the MAC in Belfast, and Scapa Flow Museum in Orkney have been shortlisted as the Art Fund Museum of the Year. (Press release)

Two New Museums for Saudi Arabia – A contemporary art institution and a museum dedicated to the Incense Road are among the “15 cultural assets” to be featured as part of a 15-year development plan of AlUla heritage region in northwestern Saudi Arabia. (The Art Newspaper)

Major De Kooning Show to Be Held in Venice – Gallerie dell’Accademia will stage a major exhibition of Willem de Kooning next year coinciding with the launch of the 60th Venice Biennale. The show, curated by Gary Garrels and Mario Codognato, will open April 16, 2024. (Press release)

FOR ART’S SAKE

Nicholas Galanin Unveils New Public Sculpture — The Tlingit and Unangax artist’s new public sculpture In every language there is Land / En cada lengua hay una Tierra (2023), made from the steel used in the building of the wall along the border between the U.S. and Mexico, is a Public Art Fund project in Brooklyn Bridge Park.

More Trending Stories:  

A Philadelphia Man Paid $6,000 for Cracked Church Windows He Saw on Facebook. Turns Out They’re Tiffany—and Worth a Half-Million 

Mona Lisa’s Other Secret—Where the Portrait Was Painted—May Have Been Solved by an Art Historian Using Drone Imagery 

A Dutch Museum Has Organized a Rare Family Reunion for the Brueghel Art Dynasty—And the Female Brueghels Are Invited to the Party 

The Smithsonian National Museum of African Art’s Director Has Resigned After Less Than Two Years, Citing ‘Resistance and Backlash’ 

‘We’re Not All Ikea-Loving Minimalists’: Historian and Author Michael Diaz-Griffith on the Resurgence of Young Antique Collectors 

The First Auction of Late Billionaire Heidi Horten’s Controversial Jewelry Proves Wildly Successful, Raking in $156 Million 

An Airbnb Host Got More Than They Bargained for with a Guest’s Offbeat Art Swap—and the Mystery Has Gone Viral on TikTok 

Not Patriarchal Art History, But Art ‘Herstory’: Judy Chicago on Why She Devoted Her New Show to 80 Women Artists Who Inspired Her 

An Artist Asked ChatGPT How to Make a Popular Memecoin. The Result Is ‘TurboToad,’ and People Are Betting Millions of Dollars on It 

An Elderly Man Spray-Painted a Miriam Cahn Painting at a Paris Museum After Right-Wing Attempts to Censor It Failed 

The Netflix Series ‘Transatlantic’ Dramatizes the Effort to Evacuate Artists From France During World War II. Here’s What Actually Happened in Real Life 

 

 

 


Follow Artnet News on Facebook:


Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.