Venice Biennale 2019: Here Are All the Artists Confirmed to Represent Their Countries at the Fair (So Far)

We're keeping a running list of the curators and artists who have signed on for next year's art extravaganza.

The entrance of the Venice Biennale in 2017. Photo by La Biennale di Venezia, via Instagram.

The next Venice Biennale—also known as the Art Olympics—won’t begin until May of 2019, but news of the chosen artists has been steadily trickling in over the past few months. Before the art world officially disbands for the summer, we’ve assembled a list of the individuals and collectives who’ve signed on to show at the event’s many national pavilions. (Next year’s central exhibition will be curated by Ralph Rugoff, the director of London’s Hayward Gallery.) One early trend we’re seeing is an uptick in the number of female artists, including Turner Prize winner Laure Prouvost, who will represent France, Cathy Wilkes representing Great Britain, and Renate Bertlmann for Austria.

We’ll keep updating this list as more information becomes available, so keep checking back.



Mariana Telleria,
(2014). Courtesy of Ruth Benzacar Galeria de Arte.

VENUE: Arsenale, Sale d’Armi

ARTIST(S): Mariana Telleria

CURATORS: Florencia Battiti

FUN FACT: The work will be titled “The name of a country” which was also the title of Telleria’s first solo show.



Angelica Mesiti, photo: Josh Raymond.

VENUE: Giardini

ARTIST: Angelica Mesiti

CURATOR: Juliana Engberg

WHAT THE ORGANIZERS SAY“Since her early work with performance collective The King Pins, Angelica has developed a sophisticated solo practice characterized by large-scale video works. She is known for using cinematic languages and performance to explore deeply personal stories of the individual and the collective, grappling with the complex dimensions of human experience.”

FUN FACT: To create one of her best-known videos, The Calling, Mesiti traveled to the far reaches of Turkey, Greece, and the Canary Islands to document an ancient whistling language that was once used to communicate across large expanses.



Renate Bertlemann, courtesy of Richard Soultan Gallery.

VENUE: Giardini

ARTIST: Renate Bertlmann

CURATOR: Felicitas Thun-Hohenstein 

WHAT THE ORGANIZERS SAY: “The Austrian contribution for 2019 shall again be a starting point for a lively, internationally oriented discussion and certainly will clearly underline the worldwide presence and importance of Austria’s arts and culture.”

FUN FACT: Bertlmann’s performance Pregnant Bride With Collection Bag—in which she dressed up as a pregnant bride and asked onlookers to donate to the upkeep of an important relic, which turned out to be a sculpture of a dildo—was censored by the Centre Pompidou in 1979.



Still from Harald Thys & Jos de Gruyter’s “Ten Weyngaert” video (2007). Courtesy of xyzprojects.

ARTIST: Jos de Gruyter and Harald Thys

CURATOR: Anne-Claire Schmitz

WHAT THE ORGANIZERS SAY“I am convinced that this trio has all the qualities to grace our national pavilion with a project that, I hope, will give people the desire to discover the excellence of creation in the French Community and more broadly, in Belgium”

FUN FACT: The duo were nominated for this years BelgianArtPrize, which was roundly protested for its lack of diverse nominees. All of the finalists for the were white men, and all of them withdrew their names from contention for the Prize.



Still from Barbara Wagner and Benjamin de Burca, ByeBye Deutschland! (2017). Courtesy of the artists and Fortes D’Aloia & Gabriel.

VENUE: Giardini

ARTIST(S): Bárbara Wagner & Benjamin de Burca

CURATOR: Gabriel Pérez-Barreiro

WHAT THE ORGANIZERS SAY: Of the artists, curator Perez-Barreiro said, “pointing to the way in which popular culture absorbs and interprets the images and phenomena of everyday life and the mass media, incorporating them to their own reality.”



Left to right, Norman Cohn, Pauloosie Qulitalik, Lizzie Qulitalik, Mary Qulitalik, Rachel Uyarashuk, Jonah Uyarashuk, Zacharias Kunuk, on the set of Nunaqpa (Going Inland), 1990.

VENUE: Giardini

ARTIST(S): Inuit artist collective Isuma, led by filmmakers Zacharias Kunuk and Norman Cohn

CURATORS: Asinnajaq, Catherine Crowston, Barbara Fischer, Candice Hopkins, and Josée Drouin-Brisebois

WHAT THE ORGANIZERS SAY“Isuma’s participation in Venice also marks the first presentation of art by Inuit [artists] in the Canada Pavilion. I am convinced that the international art world will be inspired by the insights that Kunuk and Cohn’s collaborative work will elicit at the next Venice Biennale.”

FUN FACT: The word “Isuma” means “to think, or a state of thoughtfulness” in Inuktitut. The group, founded in 1990, is Canada’s first Inuit video production company.



The artist Voluspa Jarpa. Courtesy of the Pontifical Catholic University of Chile.

VENUE: Arsenale, Artiglierie

ARTIST(S): Voluspa Jarpa

CURATORS: Agustín Pérez Rubio

FUN FACT: The project is called “Altered Views” and uses historical paintings and other artworks that the artist has recontextualized to demonstrate the hegemony of race, gender, and power.



Stanislav Kolíbal in his atelier, Prague 2018. © Martin Polák.

VENUE: Giardini

ARTIST(S): Stanislav Kolíbal

CURATOR: Dieter Bogner

WHAT THE ORGANIZERS SAY: “By selecting the project by Stanislav Kolíbal, the jury honors the outstanding pioneer of Czech avant-garde art and acknowledges his groundbreaking oeuvre which, spanning seven decades, speaks the fundamental language of both the late modern and contemporary times and keeps influencing young generations of artists. In doing so, the art of Kolíbal combines the formative past and the ambiguity of the present as well as it anticipates the unknown of the future.”



Still from Larissa Sansour, In the Future, They Ate from the Finest Porcelain. ©Larissa Sansour.

VENUE: Giardini

ARTIST(S): Larissa Sansour

CURATORS: Nat Muller

FUN FACT: Sansour’s work engages with the contemporary conflict between Israel and Palestine, but is articulated in a surreal, futuristic world.



Still from Kris Lemsalu’s “Going Going” at Performa 17. Photo: Paula Court, courtesy of the artist.

VENUE: Giudecca

ARTIST: Kris Lemsalu

WHAT THE ORGANIZERS SAY“The jury was convinced by Lemsalu’s deep sense of place and her intention to create a whole piece of work from the pavilion area and its context.”

FUN FACT: During the 2015 edition of Frieze New York, Lemsalu memorably lay under a massive ceramic turtle shell at the booth of Temnikova & Kasela Gallery for up to four hours at a time.



From left: Outi Pieski, Bonaventure Ndikung, Giovanna Esposito Yussif, Christopher Wessels, and Lorenzo Sandoval.

VENUE: Giardini

ARTIST(S): Miracle Workers Collective

CURATOR: Bonaventure Soh Bejeng Ndikung

WHAT THE ORGANIZERS SAY“It is a great honor to work with… [the] collective of intelligent and diligent individuals that make up the Miracle Workers Collective in order to re-imagine the Finnish pavilion in Venice as a space of encounters and discourses, a space of negotiation and reconciliation, a space for frictions and rehabilitation, a space in which aesthetics and ethics co-exist.”

FUN FACT: The collective includes a broad range of creatives, including writer and filmmaker Hassan Blasim, choreographer Sonya Lindfors, artist and musician Leena Pukki, artist and activist Martta Tuomaala, cinematographer Christopher L Thomas, and storyteller Suvi West.



Harry Kampianne’s Portrait of the Laure Prouvost, 2017.

VENUE: Giardini

ARTIST(S): Laure Prouvost

CURATOR: Martha Kirszenbaum

WHAT THE ORGANIZERS SAYHer international career is “a reflection of the dynamism of the French art scene.”

FUN FACT: Prouvost is the third female artist to represent France on her own, following Annette Messager in 2005 and Sophie Calle in 2007.



Installation view: Anna K.E., Profound Approach and Easy Outcome, 2017. 140ft x 27 ft. Courtesy the artist. Photo by Hai Zhang.

ARTIST(S):  Anna K.E.

CURATORS: Margot Norton, a curator at the New Museum in NYC

FUN FACT: The title of the pavilion’s project is “REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation…,”


Natascha Sadr Haghighian, “Robbie Williams Solo Show,” in collaboration with Uwe Schwarzer. (2008). Courtesy of Koenig Galerie.

VENUE: Giardini

ARTIST(S): Natascha Süder Happelmann (Natascha Sadr Haghighian)

CURATORS: Franciska Zólyom

FUN FACT: The politically-minded artist will be taking on the alias Natascha Süder Happelmann for the duration of the show—it is an amalgamation of misspellings of her real name, as generated through machines.


Cathy Wilkes Untitled (2012). Installation view of Cathy Wilkes, on view at MoMA PS1. Image courtesy MoMA PS1. Photo by Pablo Enriquez.

VENUE: Giardini

ARTIST: Cathy Wilkes

CURATOR: Zoe Whitley

WHAT THE ORGANIZERS SAYCathy Wilkes “has built a considerable reputation for sculptural installations of profound and mysterious intensity, which often evoke interiors and places of loss.”

FUN FACT: Wilkes’s melancholic sculptures, which were the subject of an exhibition at MoMA PS1 last year, bring together humble materials ranging from worn sheets to a tea-ringed saucer to a rotting jar of jam.


Eva Stefani, Acropolis 2002/04, installation view, Palais Bellevue, Kassel.documenta 14, photo: Daniel Wimmer.

VENUE: Giardini

ARTIST: Panos Charalambous, Eva Stefani, and Zafos Xagoraris

CURATOR: Katerina Tselou


Artist Shirley Tse, who will represent Hong Kong at the Venice Biennale. Image screenshot, courtesy of Vimeo.

VENUE: Arsenale

ARTIST(S): Shirley Tse

CURATOR: Christina Li

WHAT THE ORGANIZERS SAY: “Together, M+ and HKADC continue to make important contributions to the global visibility and resonance of Hong Kong artists and curators, and deepen our commitment to the arts in Hong Kong. Moreover, I am particularly pleased with the selection of a female artist to represent Hong Kong in Venice in 2019.”

FUN FACT: Tse spent much of her career working only with “synthetic polymer,” or plastic, materials. “I really wanted to address what kind of world we live in and I think that objects such as Styrofoam, or bubble wrap, have a huge significance in our world, because they are objects that are used in transportation, packing, as well as many other ways in the 21st century,” she has said.



Portrait of Shoplifter, courtesy the artist.

ARTIST: Hrafnhildur Arnardóttir / Shoplifter

CURATOR: Birta Guðjónsdóttir

WHAT THE ORGANIZERS SAYShoplifter was chosen out of 17 entrants, and upon receiving the designation she told the Icelandic Art Centre: “I’m going to make it so that when you enter the pavilion, a large space, you’ll never see the inside of the building. You’ll be surrounded by hair, it’s going to be a cave of hair stalactites.”

FUN FACT: The artist known as Shoplifter uses fluorescent hair to build sculptures and installations that look a bit like magical, day-glo fungus. She also created the mask of hair that Björk sports on the cover of the album “Medúlla.”



Eva Rothschild, courtesy of the Hepworth Wakefield.

VENUE: Arsenale, Artiglierie

ARTIST(S): Eva Rothschild

CURATOR: Mary Cremin

WHAT THE ORGANIZERS SAY“The Venice Biennale serves as a global showcase for artists and offers a prominent platform for Eva Rothchild as the selected Irish artist to engage with international audiences, curators, and gallerists and increase international opportunities and awareness of our strong visual arts sector.”

FUN FACT: Inspired by the language of Minimalism, Rothschild creates sculptures and tableaux that play with proportion and shape. “The ideal way to look at art is to be permanently confused,” she has said.



The Korean Pavilion at the Venice Biennale in 2017. Photo courtesy of La Bienale de Venizia.

VENUE: Giardini

ARTIST(S): Hwayeon Nam, Siren Eun Young Jung, Jane Jin Kaisen

CURATOR: Hyunjin Kim

WHAT THE ORGANIZERS SAY: Details provided by the Arts Council Korea stated that the project will incorporate “women and gender-diversified narratives that interrupt, break away from, and reconstruct previous understandings of modernization in the region of East Asia.”



Nida Colony’s”Sun and Sea” from the opera of the same name. Courtesy of Nida Colony.

VENUE: Arsenale

ARTIST(S): Lina Lapelyte, Vaiva Grainyte, and Rugile Barzdžiukaite

CURATOR: Lucia Pietroiusti

FUN FACT:The pavilion will feature a live opera-performance, which is a collaboration between artists working in film, writing, and performance.



Marco Godinho’s “Endless time searching #2” at the Centre Pompidou-Metz. Image courtesy of Centre Pompidou Metz.

VENUE: Arsenale

ARTIST: Marco Godinho

WHAT THE ORGANIZERS SAY: Godinho’s representation of Luxembourg will lead to an “ambitious and unprecedented artistic project and widen his artistic field in the years to come.”

FUN FACT: Godinho’s work often touches on themes of immigration, including his 2012 installation Forever Immigrant. He used a bureaucratic stamp to print the titular phrase across a wall over and over, creating cloudlike forms.



Left, Remy Jungerman. Right: Iris Kensmil. Images courtesy of Instagram.

VENUE: Arsenale

ARTIST(S): Remy Jungerman and Iris Kensmil with works by Stanley Brouwn

CURATOR: Benno Temple

WHAT THE ORGANIZERS SAY“The three artists that will be presented have adopted an alternative approach towards identity and what binds us…They embrace being in flux. This seems not only a fruitful attitude for artists but also an example for a new approach to the discussions that currently dominates our society.”

FUN FACT: Jungerman will create new work that fuses the modernism of De Stijl with the history of Suriname, while Kensmil will create portraits of black utopians through a collaboration with the Black Archives, an archive dedicated to the history of black Dutch people.



Dane Mitchell, courtesy of New Zealand Creative.

VENUE: Giardini

ARTIST(S): Dane Mitchell

CURATOR: Zara Stanhope and Chris Sharp

WHAT THE ORGANIZERS SAY: “Dane’s response to ‘space’ will push the boundaries of what’s expected of an exhibition at the Biennale Arte—continuing New Zealand’s legacy of being an innovative country with a great diversity of arts practice.”

FUN FACT: Mitchell attracted controversy in 2009 when he won a $15,000 art award for Collateral, an installation that comprised nothing but the discarded packaging from the other works submitted to the competition.




From left: Ane Graf, Maria Teeri, Janne Nabb and Ingela Ihrman. Photo: Finnish National Gallery, Pirje Mykkänen.

ARTIST(S): Artist duo Maria Teeri & Janne Nabb aka nabbteeri from Finland; Ane Graff from Norway; Ingela Ihrman from Sweden. The title of the collective project is “Weather Report: Forecasting Future.”

CURATOR: Leevi Haapala, the director of the Museum of Contemporary Art Kiasma, and curator Piia Oksanen.

WHAT THE ORGANIZERS SAY: “Human actions have led to significant changes in the environment and the climate of the whole planet, climate being the common environment of all terrestrial ecosystems. The featured artists examine the complex interrelations between humanity and nature all aware of climate sensitivity and the inherent unpredictability in forecasting.”



Mark Justiniani’s Noah (2011). Courtesy of the artist, photo credit: Mark Justiniani.

ARTIST(S):Mark Justiniani

CURATOR: Tessa Maria Guazon

WHAT THE ORGANIZERS SAY: “From social realist leanings to magical realist strains, his practice has evolved and grown into multi-media configurations that seek to explore the nature and reality of perception.”

FUN FACT: Justiniani has been representing the Philippines since 1992; his work incorporates themes of mass media, memory, and the impact of history on contemporary culture through installation and multi-media works.


Charlotte Prodger. Photo © Emile Holba 2018, courtesy of Tate Britain.

ARTIST(S): Charlotte Prodger

CURATOR: Linsey Young with Cove Park

WHAT THE ORGANIZERS SAY“Charlotte is a remarkable artist who is making important and compelling work that resonates with audiences nationally and internationally.”

FUN FACT: Prodger, whose films meditate on identity, history, landscape, and queerness, shoots much of her footage on an iPhone.



Marko Peljhan @DOB, image courtesy of Share Conference via Flickr.

VENUE: Arsenale

ARTIST(S): Marko Peljhan

CURATOR: Igor Španjol

FUN FACT: Peljhan’s work fusing art and science is so advanced that we think the best way to give you a taste is to quote directly from his official bio: “Marko has also been the flight director of ten parabolic experimental flights in collaboration with the Microgravity Interdisciplinary Research initiative and the Yuri Gagarin Cosmonaut Training Centre, creating conditions for artists to work in alternating gravity conditions.”



Song-Ming Ang, “Guilty Pleasures.” Screenshot via YouTube.

ARTIST: Song-Ming Ang

CURATOR: Michelle Ho

FUN FACT: Ang’s practice is centered on music, and how it brings people together from various cultures and backgrounds. The pavilion will be called “Music for Everyone: Variations on a Theme,” and will include a selection of new and archival works.


Left: Itziar Okariz “Irrintzi. Repetition” courtesy of Museo Reina Sofia. Right: Sergio Prego, “Lightbox” courtesy of Colección de Arte Contemporaneo La Caixa.

VENUE: Giardini

ARTIST(S): Itziar Okariz and Sergio Prego

CURATOR: Peio Aguirre

FUN FACT: Both Okariz and Prego are Basque artists, and their project will focus on the “political economy of the body.”


Pauline Boudry / Renate Lorenz’s “Opaque” (2014). Courtesy of Marcelle Alix.

VENUE: Giardini

ARTIST(S): Pauline Boudry and Renate Lorenz

CURATOR: Charlotte Laubard

WHAT THE ORGANIZERS SAY“Challenging notions of gender, Pauline Boudry and Renate Lorenz question the norms that govern our representations and our life in society. What lends their work such force is that it moves beyond mere criticism or deconstruction.”

FUN FACT: The duo, a favorite of the biennale circuit, often revisit and reconsider historical moments in their films. In a recent project on view on the High Line, Silent, the musician Aérea Negrot performs John Cage’s score 4’33” in the center of Oranienplatz in Berlin, which was home to a refugee protest camp from 2012 to 2014.


Artist Shu Lea Cheang. Right: Paul B. Preciado. Images courtesy of the Taipei Fine Arts Museum.

VENUE: Palazzo delle Prigioni, near Palazzo San Marco

ARTIST(S): Shu Lea Cheang

CURATOR: Paul B. Preciado

WHAT THE ORGANIZERS SAY: “In recent years Taiwanese artists and art institutions have elevated their participation in the global art community, generating a more refined and complex network of connections. For this reason, the nominating committee employed a greater level of strategic thinking, coloring their artist recommendations with stronger overtones of global strategy. Shu Lea Cheang, a pioneer of net art, not only in Taiwan but around the world, emerged as the first choice.”

FUN FACT: Cheang’s web artwork BRANDON (1998–1999) was the first web-based artwork commissioned and collected by the Guggenheim Museum.


Installation view of “İnci Eviner: Looping on Thin Ice” at Pearl Lam Galleries.

VENUE: Arsenale

ARTIST(S): İnci Eviner

CURATOR: Zeynep Öz

WHAT THE ORGANIZERS SAY“Eviner explores the formation of subjectivity, and her work touches on the workings of power and the politics of representation, especially with regards to the female body. The complex set of relations that Eviner forms between video technologies and painting tradition proposes a different kind of perception.”

FUN FACT: In her 2009 film Harem, Eviner, one of Turkey’s most influential artists, took  inspiration from 19th-century engravings by a German artist who was invited by Sultan Selim the Third to chronicle the court of Constantinople. Eviner replaced the original figures with animations of women performing repetitive, mundane tasks.



Sam Bardaouil and Till Fellrath. Photo courtesy of the Montblanc Cultural Foundation.

VENUE: Arsenale

ARTIST: Poet and filmmaker Nujoom Alghanem

CURATORS: Sam Bardaouil and Till Fellrath

WHAT THE ORGANIZERS SAY: “Through their extensive professional experience in the region, Sam Bardaouil and Till Fellrath have already contributed to the nuanced conversations defining the UAE’s contemporary art scene. We look forward to sharing their unique perspective with the Biennale’s global audiences through an engaging, creative and insightful exhibition.”


US President Barack Obama presents 2011 National Arts and Humanities Medal to sculptor Martin Puryear. Photo: Jewel Samad/AFP/Getty Images.

VENUE: Giardini

ARTIST(S): Martin Puryear

CURATOR: Brooke Kamin Rapaport

WHAT THE ORGANIZERS SAY“For more than five decades, Puryear has created a body of work distinguished by a complex visual vocabulary and deeply-considered meaning.”

FUN FACT: The exhibition is being sponsored by the Madison Park Conservancy; this is the first time that a public art institution is in charge of curating the event, and comes on the heels of Puryear’s Bling Ring installation in Madison Square Park.

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