The Back Room The Back Room: Outside In This week: Small galleries making big impressions, a Wet Paint whiparound, Christie’s hopes to cash in on Clemente, and much more—all in a 6-minute read (1,608 words). By Tim Schneider & Naomi Rea, Aug 12, 2022
Artnet News Pro Why Are Art Investors Suddenly Ravenous for Dinosaurs? A Q&A With Nicolai Frahm, a Collector With Scientists on Speed Dial The advisor shares what he has learned from a decade of collecting in the field. By Eileen Kinsella, Aug 12, 2022
Artnet News Pro What Will Be Asia’s Next Art-Market Capital? A Q&A With Hong Kong Collector Alan Lo on Where the Smart Money Is Headed Lo says it's to the benefit of everyone that new markets become established in Asian cities outside Hong Kong. By Rebecca Anne Proctor, Aug 8, 2022
The Back Room The Back Room: Dollar Days This week: the U.S. dollar flexes its muscle, the Hamptons get scandalous, "The Currency" maths out, and much more. By Tim Schneider & Naomi Rea, Aug 5, 2022
Ask an Art Advisor Is It Better to Invest in Art or Stocks? Here’s What a Veteran Professional Art Advisor Suggests Plus, when is the best time to insure your art, and how do I get an invite to a gallery dinner? By Wendy Goldsmith, Aug 2, 2022
Artnet News Pro Have Patience. Sweat It Out. Never Manipulate. A Q&A With JTT’s Jasmin Tsou on Her Lessons for Surviving the Young Dealer Grind As she settles into a bigger space, the gallerist talks the pressure to grow or go and other challenges facing young galleries. By Henri Neuendorf, Aug 1, 2022
The Back Room The Back Room: Northeastern Promises This week: Maine’s market moment, Barbara Kruger’s auction ascent, European biennials barge back into the news cycle, and more. By Tim Schneider & Naomi Rea, Jul 29, 2022
Artnet News Pro New Models: How Guatemala City’s Proyectos Ultravioleta Proved You Can Scale Up a Young Gallery Without Selling Your Soul In our latest spotlight on gallery business models, we learn how Proyectos Ultravioleta evolved from an artist-run kunsthalle into a humming commercial gallery. By Kate Brown, Jul 25, 2022
The Back Room The Back Room: Brave New World This week: the covert business of A.I. art generators, the verdict on a new art-world nightlife hub, the uncertainty in June’s auction results, and much more. By Tim Schneider & Julia Halperin, Jul 22, 2022
Artnet News Pro Zero Bond Has Become the New York Art World’s Favorite Private Club. That Doesn’t Make It Cool The club is an unholy marriage of kitsch aesthetics and the moneyed elite. By Annie Armstrong, Jul 21, 2022
Artnet News Pro The Quiet Connoisseurs: Meet 5 Powerful Under-the-Radar Art Collectors in France, From a Rosé Magnate to a Young Fashion Mogul France’s flourishing art scene is enticing top collectors to open their doors. By Maïa Morgensztern, Jul 19, 2022
The Back Room The Back Room: Rhythm and Seoul This week: Seoul’s global gallery scene, the culture sector’s post-COVID building boom, and Caroline Walker heats up the auction houses. By Tim Schneider & Naomi Rea, Jul 15, 2022
Artnet News Pro Here Are the 15 Most Expensive Artworks Sold at Auction Around the World in June 2022 From a Francis Bacon portrait to Jeff Koons's monkey, here are the top lots from last month. By Caroline Goldstein, Jul 14, 2022
Artnet News Pro Hot Lots: 5 Artworks That Spectacularly Outperformed Expectations During London’s Summer 2022 Day Sales Work by Katherine Bernhardt, Paul Thek, Caroline Walker, and other artists shattered their estimates this season. By Artnet News, Jul 12, 2022
Artnet News Pro What Does Korea Collect? As Seoul’s Art Market Gathers Heat, International Galleries Share What They Know About the Local Ecosystem From Perrotin and Pace to König and Peres Projects, there have been two previous waves of Western galleries opening in the city. By Andy St. Louis, Jul 12, 2022