The Back Room The Back Room: Auctioneers Unleashed This week: deregulating NYC's auctions, an online sales surge, dumpster-diving for greatness, and much more. By Tim Schneider, May 6, 2022
Artnet News Pro Meet 5 Young Collectors Shaping the Future of the Indian Art Market, From an Interior Designer to a Cosmetics Industry Mogul A new generation of art collectors is encouraging the rise of young and marginalized voices in Indian art. By Avantika Shankar, May 5, 2022
Artnet News Pro Here Are 9 Exciting Artists Whose Markets Are Poised to Reach the Next Level After Remarkable Outings at the Venice Biennale We'll tell you who they are, where to buy their work, and how much it costs. By Artnet News, May 5, 2022
Artnet News Pro Brussels Is Home to Some of Europe’s Most Dedicated Art Collectors. Find Out Which One Bought What at the City’s Top Art Fair For its size, Brussels has an outsized number of serious art collectors. By Devorah Lauter, May 3, 2022
Artnet News Pro Despite a Heat Wave, Crowds of Collectors Returned in Full Force to the India Art Fair—and They Were Ready to Move Fast This year’s edition of the New Delhi fair—the first to take place since the pandemic started—had a decidedly local focus. By Skye Arundhati Thomas, May 2, 2022
Artnet News Pro 7 Key Questions About How DAOs Could Actually Work for the Art Market, Answered In a market as elitist, opaque, and illogical as the one for fine art, could DAOs really take hold? By Amy Castor, May 2, 2022
The Back Room The Back Room: Nature vs. Nurture This week: the Almine Rech method, Marlene Dumas defies speculators, Vera Molnár’s market paradox, and much more. By Tim Schneider, Apr 29, 2022
Artnet News Pro 7 Ambitious Collectors Dish on What They Loved—and Are Trying to Buy—From the Venice Biennale From a Nigerian lawyer to a Bangladeshi textile entrepreneur, these collectors were on the hunt at the art world’s biggest show. By Rebecca Anne Proctor, Apr 29, 2022
Artnet News Pro Fractional Ownership Is Turning Art Into Stocks—But Not Everyone Stands to Make a Profit Retail investors are buying bite-size pieces of Banksys and Picassos in the hope of a payday. Are they getting played? By Katya Kazakina, Apr 25, 2022
The Back Room The Back Room: Pavilions and Profits This week: Venice Biennale business etiquette, LGDR’s head-scratching artist list, spring auction anchor lots ahoy!, and much more. By Tim Schneider, Apr 22, 2022
Artnet News Pro There’s Plenty of Business Done at Biennales. Here’s How the Art Market Does a Delicate Dance in Venice Sure, it’s not all about sales—but it’s at least a little about sales. By Janelle Zara, Apr 19, 2022
Artnet News Pro Italy Is Emerging as an Unexpected Hub for Crypto Art. But Regulatory Challenges Are Stunting the Growth of Its NFT Market Here’s what needs to happen for the Italian cultural Renaissance to trickle down to the market. By Rebecca Anne Proctor, Apr 18, 2022
Artnet News Pro The Venice Biennale Power List: Here Is Every Gallery Representing an Artist at the 59th Edition of the Venice Biennale Which gallery comes out on top? By Naomi Rea, Apr 18, 2022
The Back Room The Back Room: Double Trouble? This week: BOGO or go home, a viral mayor visits NYC’s art world, an auction glimpse at Philip Guston, and much more. By Tim Schneider & Naomi Rea, Apr 15, 2022
Artnet News Pro Here Are the 15 Most Expensive Artworks Sold at Auction Around the World in March 2022 Surrealism dominated the top and bottom of our list this month. By Caroline Goldstein, Apr 15, 2022