People ‘Debunking This Picture Became Fashionable’: Leonardo da Vinci Scholar Martin Kemp on What the Public Doesn’t Get About ‘Salvator Mundi’ The art historian dishes on the art world's favorite saga ahead of the publication of his latest book, "Leonardo by Leonardo." By Eileen Kinsella, Jun 11, 2019
Art & Exhibitions ‘I’m Staying Away From Trump as Subject Matter’: American Artist Howardena Pindell on How She Balances Her Abstract and Political Work As her first solo show in London opens, the pioneering artist says she's glad the US president isn't interested in culture. By Hettie Judah, Jun 6, 2019
People ‘Satire Has a Very Democratic Spirit’: Art Collective Slavs and Tatars on Curating Their First Biennial With the Help of Standup Comedians The artists-turned-curators have included as many non-artists and activists as possible in Ljubljana's biennial of graphic art. By Emily McDermott, Jun 5, 2019
People ‘I View All Space as Public’: Sarah Morris Explains Why Nothing Is Off Limits in Her New Paintings and Films The artist's current show at White Cube in London is her first UK exhibition in six years. By Taylor Dafoe, May 23, 2019
‘We’re Not Trying to Seem Like the Coolest Kid on the Block:’ How the CEO of Leslie Hindman Auctioneers Is Repositioning the Auction House By Artnet Gallery Network, May 22, 2019
People ‘There Were Women Working Then, Too’: How Dia Director Jessica Morgan Is Breaking Open the (Male) Canon of Postwar Art We spoke to the dynamic visionary about how she is leading the Dia Art Foundation into a more diverse future. By Andrew Goldstein, May 15, 2019
People Is Kickstarter All One Big Social-Practice Artwork? Founder Perry Chen on His Company’s Missteps—and Where It Goes From Here We spoke to the Kickstarter creator about what the distributed art school of the future might look like. By Andrew Goldstein, May 1, 2019
People Idealism, Inc.: Kickstarter Founder and Artist Perry Chen on 10 Years of Empowering Creatives to Follow Their Wildest Dreams We sat down with Kickstarter's visionary creator to talk about how his thinking, and his own art, have evolved. By Andrew Goldstein, Apr 29, 2019
Art World ‘It’s Exciting to Be in a Swing State’: Why Artists Ryan Trecartin and Lizzie Fitch Moved to Ohio to Build a Rural Amusement Park "We don't have a septic system," the artists say of the house they're building, "but it's awesome." By Scott Indrisek, Apr 22, 2019
People ‘We Can Already See the Future’: Swizz Beatz on What Artists and Gallerists Can Learn From the Music Industry We spoke to the hip-hop producer and collector about his view of the art business in the final installment of a two-part interview. By Andrew Goldstein, Apr 17, 2019
People ‘Art Is for Everybody’: Hip-Hop Entrepreneur Swizz Beatz on How He Wants to Change the Art Business From the Bottom Up We spoke to the multitalented collector, producer, and businessman about his plans for No Commission—and beyond. By Andrew Goldstein, Apr 15, 2019
People Novelist Karl Ove Knausgaard Spent Too Much Money on a Munch Artwork at Auction and Now He’s Filled With Shame: A Q&A We spoke with the famed author about his new book on Munch, and how he does—and doesn't—identify with the Modernist painter. By Pac Pobric, Apr 11, 2019
People ‘Act First and Then Think’: Artist Angel Otero on How to Turn Failure Into Fuel for Creativity We visited the artist at his Brooklyn studio on the occasion of his new show at Lehmann Maupin. By Taylor Dafoe, Apr 10, 2019
People Art Advisor Maria Brito, Who Helps Shape Diddy and Gwyneth Paltrow’s Collections, on the Growing Alliance Between Hollywood and Art "Hip-hop was born as protest," Brito says. "Many visual artists are quite similar in their ethos." By Rachel Corbett, Apr 7, 2019
Art & Exhibitions The Age of Equivocation? Venice Biennale Curator Ralph Rugoff on Why Ambiguity Is the Aesthetic of Our Time The curator of this year's Venice Biennale lays out his top priorities for the show, considered a State of the Union for contemporary art. By Andrew Goldstein, Apr 2, 2019