The Big Interview Can MoMA’s Expansion Ever Really Be Finished? Glenn Lowry on Where the Museum May—or May Not—Go From Here In the second half of a two-part interview, MoMA director Glenn Lowry spoke about the future of the museum. By Andrew Goldstein, Oct 15, 2019
The Big Interview So, Is MoMA Woke Now? Not Quite. A Q&A With Director Glenn Lowry on Why ‘You Can Never Be Comprehensive in Some Absolute Way’ As the museum readies for its public reopening, artnet News’s Andrew Goldstein spoke with Glenn Lowry about its mission and goals. By Andrew Goldstein, Oct 15, 2019
Art World What I’m Buying and Why: Collector Dean Valentine on Where He Shops for Art, and Having a ‘Basement Full’ of Duds Top collectors share their strategies (and obsessions). By Tim Schneider, Oct 14, 2019
The Big Interview The Story of artnet, Part 2: How Founder Hans Neuendorf Helped Invent the Art Fair in a More ‘Innocent’ Time In the second part of an interview series, Andrew Goldstein spoke to Neuendorf about his unusually energetic early career. By Andrew Goldstein, Oct 9, 2019
People ‘The Colonial Effect on Us Is Huge’: Why Congolese Collector Sindika Dokolo Sees Restitution as a Way to Remake African Identity The Congolese mega-collector is on a quest to help return illegally looted art to Africa. By Kate Brown, Oct 7, 2019
The Big Interview The Story of artnet: How Founder Hans Neuendorf Rose From the Rubble of World War II Germany to Transform the Art Market In the first part of a series marking artnet's 30th anniversary, Neuendorf opens up about his early life. By Andrew Goldstein, Oct 2, 2019
People ‘It Will Not Be a Passing, Fashionable Moment’: Goodman Gallery’s Liza Essers on Why the Art World’s Axis Is Tipping Toward Africa As the South African gallery prepares to open in London this week, its owner explains how the new space plays into her global vision. By Kate Brown, Sep 30, 2019
See Designer Will Cooper’s Favorite Works From artnet Galleries By Artnet Galleries Team, Aug 22, 2019
‘You’re Only as Good as Your Last Couple of Shows’: On the 25th Anniversary of His Gallery, Peter Blake Reflects on the Ups and Downs of Art Dealing By Katie White, Aug 12, 2019
The Big Interview The Art Institute of Chicago’s James Rondeau on Why He Wants to Wager Tens of Millions of Dollars on the Unknown Future of Art The director explains what he plans to do with the multimillion-dollar war chest he has raised—and why having work in storage isn't so bad. By Andrew Goldstein, Jul 24, 2019
The Big Interview ‘Museums Are Contested Sites’: The Art Institute of Chicago’s James Rondeau on Why He Finds the Current Moment So Electrifying The director of the Art Institute of Chicago explains the thinking behind the museum's postponement of a show of Mimbres pottery. By Andrew Goldstein, Jul 23, 2019
People This Artist Painted the Black Radical Response to the George Washington Slaveholder Murals. Here’s Why He Stands Against Destroying Them Dewey Crumpler explains the history of controversy over Victor Arnautoff's 'Life of George Washington' in San Francisco, which are slated to be destroyed. By Ben Davis, Jul 10, 2019
Eighty Years Ago, New York’s World Fair Captivated Millions. Now, Two Enthusiasts Are Determined to Preserve Its Legacy By Katie White, Jul 5, 2019
People Gallerist Emmanuel Perrotin on What It Takes to Rise to the Top of the Dog-Eat-Dog Art World—and Why He Wants to Start a ‘Revolution’ artnet News's editor-in-chief Andrew Goldstein talks to the tireless dealer about the KAWS phenomenon and the world's next big art market. By Andrew Goldstein, Jun 27, 2019
People Not Just a Party Boy: How Emmanuel Perrotin Became One of the Most Significant Dealers of the 21st Century We speak to the energetic gallerist Emmanuel Perrotin about Damien Hirst, Murakami, and the origins of his gallery. By Andrew Goldstein, Jun 26, 2019
