People ‘There Is So Much You Go Through Just Trying to Make It’: Amy Sherald on How She Went From Obscurity to a Museum Survey (and the White House) The artist on the strange side effects of fame, new directions in her work, and the aspirations she's almost afraid to articulate. By Sarah Cascone, Jun 19, 2018
People Art Basel’s Marc Spiegler on Why Art Fairs Aren’t to Blame for the Current Gallery Crisis We spoke to the fair empire's global director in advance of Art Basel's opening. By Andrew Goldstein, Jun 10, 2018
People ‘The Whole Way of Collecting Has Changed’: Christie’s Loïc Gouzer on the Regrettable Rise of the ADD Art Collector artnet News's Andrew Goldstein spoke to the auction-house rainmaker about why no one wants to learn about art anymore. By Andrew Goldstein, Jun 6, 2018
People Is Loïc Gouzer the Federer of the Art Market? A Q&A With the Irrepressible Christie’s Maverick Who Sold ‘Salvator Mundi’ We speak to the man behind the record-shattering $450 million sale about his unique approach to the auction game. By Andrew Goldstein, Jun 5, 2018
People Met CEO Daniel Weiss on the Met Breuer’s Future, and Whether Affirmative Action Has a Place in the Museum World The Met CEO discusses the role of the encyclopedic museum in an increasingly restive society hungry for change. By Andrew Goldstein, May 9, 2018
People ‘He Isn’t a Compromise. He’s a Star’: Met CEO Daniel Weiss on Why Max Hollein Will Usher in a New Era for the Museum The future of the institution, however, will be decided by the two men, together. By Andrew Goldstein, May 7, 2018
Politics ‘National Geographic’ Turned to a Photo Historian to Help Reckon With Its Colonialist Past. Even He Was Unsettled by What He Found John Edwin Mason, a historian of race and photography, spoke to Ben Davis about examining the famed magazine's troubled history. By Ben Davis, Mar 21, 2018
Art Fairs Has Art Basel Become the Facebook of the Art World? An Interview With Marc Spiegler After 10 years leading the largest art fair company in the world, Marc Spiegler reflects on Art Basel's evolving role in the market landscape. By Andrew Goldstein, Mar 19, 2018
Galleries Team Gallery’s Jose Freire on Why He Is Quitting Art Fairs for Good The veteran art dealer explains why he has soured on the art market's central apparatus. By Andrew Goldstein, Mar 4, 2018
People Newfields Director Charles Venable on Why Art Museums as We Know Them Cannot Survive The controversial museum director explains why audiences today are turned off by Rembrandt and why museums should stop growing—and start shrinking. By Andrew Goldstein, Feb 14, 2018
People Newfields Director Charles Venable on His Data-Driven (and Maybe Crazy) Quest to Save the Art Museum Charles Venable may be the most controversial museum director in America. But he's convinced that in order to survive, other institutions must follow his lead. By Andrew Goldstein, Feb 12, 2018
Art World The Director of the Beyeler Foundation Promises to Break Its ‘Glass Ceiling’—After Baselitz and Balthus Shows Sam Keller says that Switzerland’s most-visited art museum will show more female artists as it expands on its 20th anniversary. By Javier Pes, Jan 18, 2018
Art World ‘We as a Species Are Selectively Alarmist’: Artist Max Hooper Schneider on Why He’s No Mad Scientist The LA-based sculptor makes high-concept dystopian terrariums, some of which are potentially deadly. By Henri Neuendorf, Dec 12, 2017
Art World Agnieszka Polska on the Amorous Ideas Behind Her Award-Winning ‘Baby-Faced’ Star The artist says her 'poetic' take on quantum physics, which lies behind her award-winning film installation in Berlin's Hamburger Bahnof, is a comment on tumultuous times. By Kate Brown, Nov 27, 2017
How Farhad Moshiri Transformed a Wintry Patch of Cherry Trees Into a Moving Meditation on Life in Tehran By Artnet Gallery Network, Nov 22, 2017
