Artnet News Pro The Fight Against Flippers: How Artists and Dealers Are Trying to Beat Speculators at Their Own Game Rampant speculation has turned the market for emerging art upside down. Now, artists are determined to wrest back control. By Katya Kazakina, Nov 13, 2022
The Back Room The Back Room: One Point Five Billion Dollars This week: Christie’s makes auction history, a Frida Kahlo legal conundrum, trophy lots keep rising, and much more. By Tim Schneider & Naomi Rea, Nov 11, 2022
Wet Paint An Update on Christophe de Menil, the D.J. Who Is a Thorn in the Side of Dealers at Art Basel Miami Beach, and More Juicy Art World Gossip Plus, which artist has attracted Kylie Jenner's attention in New York? And what iconic watering hole is about to join the Chelsea bar graveyard? Read on for answers. By Annie Armstrong, Nov 11, 2022
The Art Detective Revealed: The Biggest Consignors to the $2.9 Billion Fall Auctions in New York, From a Greek Shipping Family to a Storied Art Dealer Here's who's selling what. By Katya Kazakina, Nov 10, 2022
Wet Paint Wet Paint in the Wild: Fort Gansevoort’s Adam Shopkorn Travels to the Canadian Arctic for One Very Chilly Studio Visit The owner of Fort Gansevoort gallery shows us a week in his life. By Annie Armstrong, Nov 10, 2022
The Gray Market What the Rising Tide of Art Vandalism Tells Us About Where We Are Headed as a Culture Our columnist connects the targeting of artworks in museums, on television, and in the art market to the troubling trajectory of culture at large. By Tim Schneider, Nov 8, 2022
Artnet News Pro Japan Boasts the World’s Third Largest Economy. So Why Does It Still Have a Disproportionately Small Share of the Global Art Market? Market initiatives in Tokyo and an emerging generation of serious collectors are signaling an art market expansion. By Vivienne Chow, Nov 7, 2022
Artnet News Pro ‘Inequalities Are Never Bad for the Art Market’: Economist Françoise Benhamou on What the Financial Headwinds Portend for the Industry From the pandemic to "wokeism," the French economist weighs in on the most pressing issues in today's art market. By Anna Sansom, Nov 6, 2022
The Art Detective The Rumor That LVMH Is Buying Gagosian Just Won’t Die. There May Be Something to It—But Not What You Think People inquiring about whether the world's largest art gallery is for sale may be asking the wrong question. By Katya Kazakina, Nov 4, 2022
Wet Paint The Skinny on Anna Weyant’s Primary Market Prices, Art Job Salaries Laid Bare, and More Juicy Art World Gossip Plus, which galleries piqued Michelle Obama's interest last week? And who got a proposal at the Crystal Bridges Museum of Art? By Annie Armstrong, Nov 4, 2022
The Back Room The Back Room: Fighting the Flippers This week: new resistance against rapid resales, a national shakeup at auction, Henry Taylor gets down to earth, and much more. By Tim Schneider & Naomi Rea, Nov 4, 2022
Wet Paint Wet Paint in the Wild: Ursula Von Rydingsvard Plays With Chainsaws and Sees Her Sculptures Transformed Into Cookies The octogenarian sharpens her blades as she prepares for an exhibition at Galerie Lelong & Co. By Annie Armstrong, Nov 3, 2022
The Gray Market How the Art and Music Industries Have Begun to Value Young Talent Differently—and Why It Matters Our columnist investigates why fine art and pop music seem to have been taking opposite approaches to new talent since 2019. By Tim Schneider, Nov 1, 2022
Ask an Art Advisor Is It Immoral to Buy Work Directly Out of a Young Artist’s Studio? Here’s What a Trusted Art Advisor Has to Say Plus, which artists are the most recession-proof, and is splitting sales evenly with my gallery really the fair thing to do? By Wendy Goldsmith, Nov 1, 2022
Artnet News Pro Alex Katz Was ‘Always a Bit of a Loner.’ Now, at Age 95, Collectors Won’t Leave Him—or His Spiking Market—Alone After more than eight decades of embracing flat,figurative painting, artist Alex Katz is getting the recognition he deserves. By Eileen Kinsella, Oct 31, 2022
