Ask an Art Advisor Everyone Is Buzzing About Paris+, So Should I Skip Frieze London This Year? Here’s What a Savvy Art Advisor Has to Say Plus, should I buy a painting I don't like by an artist I do like, and how important is it to see a work in person before buying it? By Wendy Goldsmith, Oct 3, 2022
The Art Detective Unfairly Imprisoned, He Labored on a Chain Gang for Years. Now Winfred Rembert’s Paintings About That Experience Are Selling for Nearly $300,000 Prices for the visceral art of Winfred Rembert, the late Pulitzer Prize winner, have tripled in six months. By Katya Kazakina, Sep 30, 2022
The Back Room The Back Room: Bet on Betrayal This week: why artists leave their galleries, a Cuban art gem hits the block, a mega-gallery bankrolls a literary mag, and much more. By Naomi Rea, Sep 30, 2022
Wet Paint Wet Paint in the Wild: Curator Roya Sachs Goes Backstage to Produce Some Art Wizardry at a Psychedelic Music Festival The curator takes us along for an action-packed trip to Format music festival in the Ozarks. By Annie Armstrong, Sep 29, 2022
Artnet News Pro How Does an Art Fair Booth Get Nominated for the Turner Prize? A Q&A With Blindspot Gallery’s Founder Mimi Chun The Hong Kong gallerist talks returning to Frieze London and the challenges facing the market at home. By Vivienne Chow, Sep 28, 2022
Artnet News Pro Bonhams Has Been Acquiring Its Competitors at Warp Speed. Here’s Why the Middle-Market Player Wants a Network, Not an Empire The house has found a winning strategy in accelerating key trends at play in the auction realm. By Eileen Kinsella, Sep 27, 2022
Artnet News Pro Meet 5 Japanese Collectors Who Are Putting Their Country’s Art Scene on the Road to Resurgence These collectors exemplify Japan’s search for new beginnings in the global market. By Jennifer Pastore, Sep 25, 2022
The Art Detective Why Do Artists Leave Their Galleries? It’s About Money—and a Whole Lot More The announcements of new artist-dealer relationships are coming at an increasingly fast clip. Here's what's driving the musical chairs. By Katya Kazakina, Sep 23, 2022
Wet Paint Wet Paint in the Wild: Gagosian Director Adam Cohen Armorys Hard With Dan Colen and Rashid Johnson The proprietor of A Hug from the Art World takes us along for an action-packed week. By Annie Armstrong, Sep 22, 2022
The Hammer Simon de Pury on the Hot Art Cities Primed to Displace New York as the Center of the Art World The veteran auctioneer and global traveler weighs in on the city's vying for the crown. By Simon de Pury, Sep 22, 2022
The Gray Market Auctioneers Are Gatecrashing the Primary Market. But That Might Not Be a Terrible Thing Our columnist wades into the controversy over auctioneers' primary-market sales series to see who's really gone too deep. By Tim Schneider, Sep 21, 2022
Artnet News Pro Here Are the 15 Most Expensive Artworks Sold at Auction Around the World in August 2022 We combed through the data to bring you the priciest lots of August 2022. By Caroline Goldstein, Sep 20, 2022
Artnet News Pro ‘I Always Need to Unlearn Something’: Gallerist Olivier Meessen on the Challenges Facing the Middle Market The gallerist opens up about doing business in Brussels, and what’s holding the city back from greatness. By Devorah Lauter, Sep 18, 2022
The Back Room The Back Room: Surreal Season This week: Surrealism surrounds us, art theft meets auto theft, the rise of Danielle Roberts, and much more. By Tim Schneider & Naomi Rea, Sep 16, 2022
Artnet News Pro Does the Market Only Pay Attention to Art From the Middle East During Times of Conflict? During the Arab Spring in 2011, the wider art world championed the region's artists. But in the past decade, support has dried up, as have auction prices. By Rebecca Anne Proctor, Sep 15, 2022
