The Gray Market Why Artists and Curators Are Essential to Building a Metaverse That Will Do More Than Make Mark Zuckerberg Rich (and Other Insights) Our columnist explains the folly of letting better headsets and other products determine when we're officially living rich virtual lives. By Tim Schneider, Jul 26, 2022
The Appraisal Does Barbara Kruger’s New Relevance in a Post-Truth America Mean Her Market Is Heating Up, Too? We Looked Into the Data We took to Artnet's Price Database to investigate. By Naomi Rea, Jul 26, 2022
Artnet News Pro New Models: How Guatemala City’s Proyectos Ultravioleta Proved You Can Scale Up a Young Gallery Without Selling Your Soul In our latest spotlight on gallery business models, we learn how Proyectos Ultravioleta evolved from an artist-run kunsthalle into a humming commercial gallery. By Kate Brown, Jul 24, 2022
The Art Detective Forget the Hamptons. Artists, Dealers, and Advisors Are Congregating in a New Bucolic Contemporary Art Hub: Maine The state has always been a haven for artists. Now, the rest of the art world is starting to catch up. By Katya Kazakina, Jul 22, 2022
The Back Room The Back Room: Brave New World This week: the covert business of A.I. art generators, the verdict on a new art-world nightlife hub, the uncertainty in June’s auction results, and much more. By Tim Schneider & Julia Halperin, Jul 22, 2022
Wet Paint Wet Paint in the Wild: Nina Johnson, One of Miami’s Top Art Dealers, Brings Us on a Road Trip to Marfa Johnson takes us to see Donald Judd sculptures and a Terry Allen concert out in the deserts of Texas. By Annie Armstrong, Jul 21, 2022
Artnet News Pro Zero Bond Has Become the New York Art World’s Favorite Private Club. That Doesn’t Make It Cool The club is an unholy marriage of kitsch aesthetics and the moneyed elite. By Annie Armstrong, Jul 20, 2022
The Gray Market DALL-E’s Astonishing Images Mask That Art Is Just Another Pawn in Silicon Valley’s Endgame (and Other Insights) Our columnist unravels how DALL-E and other A.I.-driven content generators fit into Big Tech’s grand business plan. By Tim Schneider, Jul 19, 2022
Artnet News Pro The Quiet Connoisseurs: Meet 5 Powerful Under-the-Radar Art Collectors in France, From a Rosé Magnate to a Young Fashion Mogul France’s flourishing art scene is enticing top collectors to open their doors. By Maïa Morgensztern, Jul 18, 2022
The Hammer Simon de Pury on Why He Remains Optimistic About the Art Market Despite Red Flag-Waving Economists The current economic downturn isn’t the industry veteran’s first rodeo. By Simon de Pury, Jul 18, 2022
Wet Paint Dealer Shows at Russian State-Backed Fair After Condemning War in Ukraine, Chaos Among NADA Dealers, and More Art-World Gossip Plus, what new gallery did Loie Hollowell just land? What New York City opening got shut down by the police? Read on for answers. By Annie Armstrong, Jul 15, 2022
The Back Room The Back Room: Rhythm and Seoul This week: Seoul’s global gallery scene, the culture sector’s post-COVID building boom, and Caroline Walker heats up the auction houses. By Tim Schneider & Naomi Rea, Jul 15, 2022
Wet Paint Wet Paint in the Wild: Artist Nicole Nadeau Surfs Her Way Through the Hamptons and Parties With the Art World on Long Island Nadeau takes us out onto the East End for a little bit of summer fun in the sun. By Annie Armstrong, Jul 14, 2022
Artnet News Pro Here Are the 15 Most Expensive Artworks Sold at Auction Around the World in June 2022 From a Francis Bacon portrait to Jeff Koons's monkey, here are the top lots from last month. By Caroline Goldstein, Jul 13, 2022
The Gray Market Why Better Artist Resale Royalties Are an Opportunity for Better Business in the Art Market (and Other Insights) Our columnist explains why it hurts almost all market players to portray resale royalties as a zero-sum game. By Tim Schneider, Jul 12, 2022
